Master Lambert was overjoyed when he heard all. “Now you will find your way back to your proper station and rank,” he said.
“It may do more than that,” said Grisell. “If I could plead his cause.”
Lambert only sighed. “I would fain your way was not won by a base, mechanical art,” he said.
“Out on you, my master. The needle and the bobbin are unworthy of none; and as to the honour of the matter, what did Sir Leonard tell us but that the Countess of Oxford, as now she is, was maintaining her husband by her needle?” and Grisell ended with a sigh at thought of the happy woman whose husband knew of, and was grateful for, her toils.
The pattern needed much care, and Lambert induced Hans Memling himself, who drew it so that it could be pricked out for the cushion. In after times it might have been held a greater honour to work from his pattern than for the Duchess, who sent to inquire after it more than once, and finally desired that Mistress Grisell should bring her cushion and show her progress.
She was received with all the same ceremonies as before, and even the small fragment that was finished delighted the Princess, who begged to see her at work. As it could not well be done kneeling, a footstool, covered in tapestry with the many Burgundian quarterings, was brought, and here Grisell was seated, the Duchess bending over her, and asking questions as her fingers flew, at first about the work, but afterwards, “Where did you learn this art, maiden?”
“At Wilton, so please your Highness. The nunnery of St. Edith, near to Salisbury.”
“St. Edith! I think my mother, whom the Saints rest, spoke of her; but I have not heard of her in Portugal nor here. Where did she suffer?”
“She was not martyred, madame, but she has a fair legend.”
And on encouragement Grisell related the legend of St. Edith and the christening.