History of Christian names

by Charlotte M. Yonge

A remarkable cycle of traditions are cherished by the Gaelic race regarding a band of heroes, whom they call the Fiann, or Fenians, and whose exploits are to them what those of Jason, or Theseus, were to the Greeks.

Scotland and Ireland claim them both alike, and point to places named after them and their deeds; but the balance of probability is in favour of Ireland, as their chief scene of adventure, although they may also have spent some time in Morven, as their legends call the West of Scotland, since the Gaelic race was resident in both countries, and kept together in comparative union by its hatred to the Cymry in both. This supposition is confirmed by the semblance of a date that is supplied through the conversion of the last survivor of the band by St. Patrick, which would place their era in the end of the fourth century, just when the migrations of the Scots were taking place, supposing these to have lasted from about A.D. 250 to 500. Still, the Fian may be only one of the ancient imaginations of the Gael, and either never have had any corporeal existence at all, or else, genuine ancient myths may have fixed themselves upon some forefathers, who under their influence have been magnified into heroic—not to say gigantic—proportions.

These tales, songs, and poems lived among the story-telling Highlanders and Irish, unnoticed, until the eighteenth century, when the Scottish author, James Macpherson, perceived that they contained a mine of wild beauty and heroic deeds, and were, in fact, the genuine national poetry of his race.

He put his fragments together into the books of an epic, and wrought up the measured metre of the Gaelic into a sort of stilted English prose, rhythmical, and not without a certain grandeur of cadence and expression; moreover, he left out a good deal of savagery, triviality, repetition, and absurdity; and produced an exceedingly striking book, by expanding the really grand imagery of the ancient bards, and, perhaps, unconsciously imparting Christian heroism to his characters.

There had been some unscrupulousness from the first. Either from nationality or ignorance, Macpherson had entirely ignored the connection with St. Patrick, and made his heroes altogether Scottish, though passing into Ireland; and when a swarm of critics arose, some questioning, some mocking, he did not make a candid statement of what were his materials, but left the world to divide itself between the beliefs that the whole was Ossian’s, or the whole Macpherson’s. Had he been truthful, he would have gained high credit, both as poet and antiquary; but he brought on himself the reputation of an impostor, his literary talents have been forgotten, and the poems themselves are far less regarded than they deserve.

Be the truth what it may, the names of the Fianna were in constant use long before Macpherson was heard of.

In Ireland and West Scotland, the early poems represent Finn and his friends performing high feats of prowess.

Finally, the Feen either invaded Ireland, or became obnoxious to the natives, and were set upon at the battle of Garristown, or Gabhra, pronounced Gavra, loud shouting. The last survivor of them was the poet Oisean, or Ossian, as he is now called, who was said to have lived till the coming of St. Patrick, and to have been taken into his monastery, where old Irish poems show him in most piteous case, complaining much of fasts, and of the “drowsy sound of a bell.”

Section III.—Finn.

Leader of the Fianna, and bestowing on them their very title, stands the great Fion, the grand centre of ancient Gaelic giant lore; his full title being Fionn Mac Cumhail, pronounced Coul. Fingal, the name the Scots have known him by ever since the time of Barbour, is really a confusion of Faingall, the toilers of the Gaul.