History of Christian names

by Charlotte M. Yonge

As to his name, it was not very common even in Wales. It only came forth as a matter of romance, and was given occasionally either from fancy or policy.

Constance of Brittany gave her little son this popular name, perhaps in the hope that in time British Arthur would be restored to England, and thenceforth Arzur, as the Bretons call it, was occasionally used in the duchy.

An old prophecy of Merlin was said to have declared that Richmond should come from Brittany to conquer England, and this prediction caused Henry V. to refuse all requests to allow Arthur, Comte de Richemont, son of the Duke of Brittany, to be ransomed when taken prisoner at Agincourt. His name of Arthur no doubt added to the danger, and Henry’s keen eyesight might have likewise detected in him the military skill which made him so formidable an enemy to the English on his own soil, not theirs.

When Richmond really came out of Brittany and conquered England, he named his first son Arthur, but that son never wore the British crown, nor did the infant Arthur of Scotland, so named by James V., survive to be known in history. Arthur, however, had become an occasional name; but it was reserved for the great Arthur Wellesley, whose name had perhaps more to do with the old Art of Erse times than with the king of the Round Table, to make it, as it is at present, one of the most universally popular of English names. Even the French use it, for its sound, it may be presumed, rather than for its recent distinction, and they have ceased to spell it in the old form, Artus, and adopted our own. The Italians know, but do not use, Arturo; however, the name changes so little that Madame Schopenhauer’s husband was justified in choosing it for his son as a useful name for a merchant, because it does not alter in being translated.

The English feminine Arthurine is occasionally used.

Section III.—Gwenever.

The staunchest supporters of Arthur’s existence give him three wives. One of them was she who was stolen by Maelwas, the origin of Lancelot, and she it is who is the dame of romance.

Gwen, the commencement of her name, is used in Welsh, in the double sense of the colour, white, and of a woman, perhaps for the same reason that ‘the fair’ so often stands for a lady in poetry. The word is closely related to the finn and ban, both meaning white in the other branch of the Keltic tongue, and, save for the fulness of interest belonging to both, all might have been treated of together. Gwen, the feminine of Gwyn, white, becomes wen in composition, and as such we have already met it at the end of words.

Gwendolen is made by the Brut, and by Geoffrey of Monmouth, the daughter of Corineus, Duke of Cornwall, and wife of Locrine, son of the original Brutus. He deserted her for the sake of Estrild, a fair German captive, and she made war upon him, in the course of which he was killed, and Estrild and her daughter Sabrina, or Avern, made prisoners; whereupon, the jealous and revengeful queen caused both to be drowned in the river, thenceforth called Sabrina or Severn; in Welsh, Hafreu, where we may hope that the damsel became the lovely nymph who “listened and saved” the lady from Comus and his crew. Estrild is Essylt (or Iseulte) in the Welsh which Geoffrey copied.

The Welsh saints give us St. Gwendolen or Gwen as the mother of Caradog Vreichfras, the excellent Sir Cradocke of the Round Table. In the Triads and the Mabinogion, Gwendolen is a beauty of Arthur’s court, and in the bardic enumeration of the thirteen wonders of Britain appears the gold chess-board of Gwendolen, on which, when the silver men were placed, they would play of themselves. Gwendolen, Gwen, and Gwyn have never been disused in Wales. The first was the daughter of the last native prince, and her name is increasingly in favour with the lovers of archaisms.