So the odd sort of kindred that the captain chose to claim with Stephen Birkenholt was allowed, and in right of it, he was permitted to sleep in the waggon; and thereupon his big raw-boned charger was found sharing the fodder of the plump broad-backed cart horses, while he himself, whenever sport was not going forward for him, or work for the armourers, sat discussing with Kit the merits or demerits of the liquors of all nations, either in their own yard or in some of the numerous drinking booths that had sprung up around.
To no one was this arrangement so distasteful as to Quipsome Hal, who felt himself in some sort the occasion of the intrusion, and yet was quite unable to prevent it, while everything he said was treated as a joke by his unwelcome father-in-law. It was a coarse time, and Wolsey’s was not a refined or spiritual establishment, but it was decorous, and Randall had such an affection and respect for the innocence of his sister’s young son, that he could not bear to have him exposed to the company of one habituated to the licentiousness of the mercenary soldier. At first the jester hoped to remove the lads from the danger, for the brief remainder of their stay, by making double exertion to obtain places for them at any diversion which might be going on when their day’s work was ended, and of these, of course, there was a wide choice, subordinate to the magnificent masquing of kings and queens. On the last midsummer evening, while their majesties were taking leave of one another, a company of strolling players were exhibiting in an extemporary theatre, and here Hal incited both the youths to obtain seats. The drama was on one of the ordinary and frequent topics of that, as of all other times, and the dumb show and gestures were far more effective than the words, so that even those who did not understand the language of the comedians, who seemed to be Italians, could enter into it, especially as it was interspersed with very expressive songs.
An old baron insists on betrothing his daughter and heiress to her kinsman freshly knighted. She is reluctant, weeps, and is threatened, singing afterwards her despair (of course she really was a black-eyed boy). That song was followed by a still more despairing one from the baron’s squire, and a tender interview between them followed.
Then came discovery, the baron descending as a thunderbolt, the banishment of the squire, the lady driven at last to wed the young knight, her weeping and bewailing herself under his ill-treatment, which extended to pulling her about by the hair, the return of the lover, notified by a song behind the scenes, a dangerously affectionate meeting, interrupted by the husband, a fierce clashing of swords, mutual slaughter by the two gentlemen, and the lady dying of grief on the top of her lover.
Such was the argument of this tragedy, which Giles Headley pronounced to be very dreary pastime, indeed he was amusing himself with an exchange of comfits with a youth who sat next him all the time—for he had found Stephen utterly deaf to aught but the tragedy, following every gesture with eager eyes, lips quivering, and eyes filling at the strains of the love songs, though they were in their native Italian, of which he understood not a word. He rose up with a heavy groan when all was over, as if not yet disenchanted, and hardly answered when his uncle spoke to him afterwards. It was to ask whether the Dragon party were to return at once to London, or to accompany the Court to Gravelines, where, it had just been announced, the King intended to pay a visit to his nephew, the Emperor.
Neither Stephen nor Giles knew, but when they reached their own quarters they found that Smallbones had received an intimation that there might be jousts, and that the offices of the armourers would be required. He was very busy packing up his tools, but loudly hilarious, and Sir John Fulford, with a flask of wine beside him, was swaggering and shouting orders to the men as though he were the head of the expedition.
Revelations come in strange ways. Perhaps that Italian play might be called Galeotto to Stephen Birkenholt. It affected him all the more because he was not distracted by the dialogue, but was only powerfully touched by the music, and, in the gestures of the lovers, felt all the force of sympathy. It was to him like a kind of prophetic mirror, revealing to him the true meaning of all he had ever felt for Dennet Headley, and of his vexation and impatience at seeing her bestowed upon a dull and indifferent lout like her kinsman, who not only was not good enough for her, but did not even love her, or accept her as anything but his title to the Dragon court. He now thrilled and tingled from head to foot with the perceptions that all this meant love—love to Dennet; and in every act of the drama he beheld only himself, Giles, and Dennet. Watching at first with a sweet fascination, his feelings changed, now to strong yearning, now to hot wrath, and then to horror and dismay. In his troubled sleep after the spectacle, he identified himself with the lover, sang, wooed, and struggled in his person, woke with a start of relief, to find Giles snoring safely beside him, and the watch-dog on his chest instead of an expiring lady. He had not made unholy love to sweet Dennet, nor imperilled her good name, nor slain his comrade. Nor was she yet wedded to that oaf, Giles! But she would be in a few weeks, and then! How was he to brook the sight, chained as he was to the Dragon court—see Giles lord it over her, and all of them, see her missing the love that was burning for her elsewhere. Stephen lost his boyhood on that evening, and, though force of habit kept him like himself outwardly, he never was alone, without feeling dazed, and torn in every direction at once.
CHAPTER XXI.
SWORD OR SMITHY
“Darest thou be so valiant as to play the coward with thy indenture, and to show it a fair pair of heels and run from it?”
Shakespeare.