“Besides,” continued Miss Winter, “those children engross almost all her time and thoughts. She is working for them, preparing lessons, running after them continually. It takes off her whole mind from her proper occupations, unsettles her, and I do think it is beyond what befits a young lady of her age.”
Margaret was silent.
“In addition,” said Miss Winter, “she is at every spare moment busy with Latin and Greek, and I cannot think that to keep pace with a boy of Norman’s age and ability can be desirable for her.”
“It is a great deal,” said Margaret, “but—”
“I am convinced that she does more than is right,” continued Miss Winter. “She may not feel any ill effects at present, but you may depend upon it, it will tell on her by-and-by. Besides, she does not attend to anything properly. At one time she was improving in neatness and orderly habits. Now, you surely must have seen how much less tidy her hair and dress have been.”
“I have thought her hair looking rather rough,” said Margaret disconsolately.
“No wonder,” said Miss Winter, “for Flora and Mary tell me she hardly spends five minutes over it in the morning, and with a book before her the whole time. If I send her up to make it fit to be seen, I meet with looks of annoyance. She leaves her books in all parts of the school-room for Mary to put away, and her table drawer is one mass of confusion. Her lessons she does well enough, I own, though what I should call much too fast; but have you looked at her work lately?”
“She does not work very well,” said Margaret, who was at that moment, though Miss Winter did not know it, re-gathering a poor child’s frock that Ethel had galloped through with more haste than good speed.
“She works a great deal worse than little Blanche,” said Miss Winter, “and though it may not be the fashion to say so in these days, I consider good needlework far more important than accomplishments. Well, then, Margaret, I should wish you only just to look at her writing.”
And Miss Winter opened a French exercise-book, certainly containing anything but elegant specimens of penmanship. Ethel’s best writing was an upright, disjointed niggle, looking more like Greek than anything else, except where here and there it made insane efforts to become running-hand, and thereby lost its sole previous good quality of legibility, while the lines waved about the sheet in almost any direction but the horizontal. The necessity she believed herself under of doing what Harry called writing with the end of her nose, and her always holding her pen with her fingers almost in the ink, added considerably to the difficulty of the performance. This being at her best, the worst may be supposed to be indescribable, when dashed off in a violent hurry, and considerably garnished with blots. Margaret thought she had seen the worst, and was sighing at being able to say nothing for it, when Miss Winter confounded her by turning a leaf, and showing it was possible to make a still wilder combination of scramble, niggle, scratch, and crookedness—and this was supposed to be an amended edition! Miss Winter explained that Ethel had, in an extremely short time, performed an exercise in which no fault could be detected except the writing, which was pronounced to be too atrocious to be shown up to M. Ballompre. On being desired to write it over again, she had obeyed with a very bad grace, and some murmurs about Cocksmoor, and produced the second specimen, which, in addition to other defects, had some elisions from arrant carelessness, depriving it of its predecessor’s merits of being good French.