“Is that better, Norman?”
“You’ll drive us out of patience,” said Flora, tying the handkerchief round Ethel’s throat, and pulling out the fingers of her gloves, which, of course, were inside out; “are you ready?”
“Oh, my frock! my frock! There ‘tis—three stitches—go on, and I’ll come,” said Ethel, seizing a needle, and sewing vehemently at a little pink frock. “Go on, Miss Winter goes slowly up the hill, and I’ll overtake you.”
“Come, Norman, then; it is the only way to make her come at all.”
“I shall wait for her,” said Norman. “Go on, Flora, we shall catch you up in no time;” and, as Flora went, he continued, “Never mind your aims and fames and trumpery English rhymes. Your verses will be much the best, Ethel; I only went on a little about Mount Vesuvius and the landscape, as Alan described it the other day, and Decius taking a last look, knowing he was to die. I made him beg his horse’s pardon, and say how they will both be remembered, and their self-devotion would inspire Romans to all posterity, and shout with a noble voice!” said Norman, repeating some of his lines, correcting them as he proceeded.
“Oh! yes; but oh, dear, I’ve done! Come along,” said Ethel, crumpling her work into a bundle, and snatching up her gloves; then, as they ran downstairs, and emerged into the street, “It is a famous subject.”
“Yes, you have made a capital beginning. If you won’t break down somewhere, as you always do, with some frightful false quantity, that you would get an imposition for, if you were a boy. I wish you were. I should like to see old Hoxton’s face, if you were to show him up some of these verses.”
“I’ll tell you what, Norman, if I was you, I would not make Decius flatter himself with the fame he was to get—it is too like the stuff every one talks in stupid books. I want him to say—Rome—my country—the eagles—must win, if they do—never mind what becomes of me.”
“But why should he not like to get the credit of it, as he did? Fame and glory—they are the spirit of life, the reward of such a death.”
“Oh, no, no,” said Ethel. “Fame is coarse and vulgar—blinder than ever they draw Love or Fortune—she is only a personified newspaper, trumpeting out all that is extraordinary, without minding whether it is good or bad. She misses the delicate and lovely—I wished they would give us a theme to write about her. I should like to abuse her well.”