For Maximilian had a passion for composition, and chiefly for autobiography, and his head was full of that curious performance, Der Weisse König, which occupied many of the leisure moments of his life, being dictated to his former writing-master, Marcus Sauerwein. He had already designed the portrayal of his father as the old white king, and himself as the young white king, in a series of woodcuts illustrating the narrative which culminated in the one romance of his life, his brief happy marriage with Mary of Burgundy; and he continued eagerly to talk to Master Gottfried about the mystery of graving, and the various scenes in which he wished to depict himself learning languages from native speakers—Czech from a peasant with a basket of eggs, English from the exiles at the Burgundian court, who had also taught him the use of the longbow, building from architects and masons, painting from artists, and, more imaginatively, astrology from a wonderful flaming sphere in the sky, and the black art from a witch inspired by a long-tailed demon perched on her shoulder. No doubt “the young white king” made an exceedingly prominent figure in the discourse, but it was so quaint and so brilliant that it did not need the charm of royal condescension to entrance the young knights, who stood silent auditors. Ebbo at least was convinced that no species of knowledge or skill was viewed by his kaisarly kingship as beneath his dignity; but still he feared Friedel’s being seized upon to be as prime illustrator to the royal autobiography—a lot to which, with all his devotion to Maximilian, he could hardly have consigned his brother, in the certainty that the jeers of the ruder nobles would pursue the craftsman baron.
However, for the present, Maximilian was keen enough to see that the boy’s mechanical skill was not as yet equal to his genius; so he only encouraged him to practise, adding that he heard there was a rare lad, one Dürer, at Nuremburg, whose productions were already wonderful. “And what is this?” he asked; “what is the daintily-carved group I see yonder?”
“Your highness means, ‘The Dove in the Eagle’s Nest,’” said Kasimir. “It is the work of my young kinsmen, and their appropriate device.”
“As well chosen as carved,” said Maximilian, examining it. “Well is it that a city dove should now and then find her way to the eyrie. Some of my nobles would cut my throat for the heresy, but I am safe here, eh, Sir Kasimir? Fare ye well, ye dove-trained eaglets. We will know one another better when we bear the cross against the infidel.”
The brothers kissed his hand, and he descended the steps from the hall door. Ere he had gone far, he turned round upon Sir Kasimir with a merry smile: “A very white and tender dove indeed, and one who might easily nestle in another eyrie, methinks.”
“Deems your kingly highness that consent could be won?” asked Wildschloss
“From the Kaisar? Pfui, man, thou knowst as well as I do the golden key to his consent. So thou wouldst risk thy luck again! Thou hast no male heir.”
“And I would fain give my child a mother who would deal well with her. Nay, to say sooth, that gentle, innocent face has dwelt with me for many years. But for my pre-contract, I had striven long ago to win her, and had been a happier man, mayhap. And, now I have seen what she has made of her sons, I feel I could scarce find her match among our nobility.”
“Nor elsewhere,” said the king; “and I honour thee for not being so besotted in our German haughtiness as not to see that it is our free cities that make refined and discreet dames. I give you good speed, Adlerstein; but, if I read aright the brow of one at least of these young fellows, thou wilt scarce have a willing or obedient stepson.”