‘Poor dear! she cried heartily at first; but after a time she cheered up, and quite made friends with me. I remember she told me which were Mr. Morville’s favourite songs, and sang little scraps of them.’
‘Can you remember what they were?’ eagerly exclaimed Guy.
‘Law, no, air; I never had no head for music. And she laughed about her journey to Scotland, and got into spirits, only she could not bear I should go out of the room; and after a time she grew very anxious for him to come back. I made her some tea, and tried to get her to bed, but she would not go, though she seemed very tired; for she said Mr. Morville would come to take her to Redclyffe, and she wanted to hear all about the great house, listening for him all the time, and I trying to quiet her, and telling her the longer he stayed the better chance there was. Then came a call for me, and down-stairs I found everything in confusion; the news had come—I never knew how. I had not had time to hear it rightly myself, when there was a terrible cry from up-stairs. Poor thing! whether she thought he was come, or whether her mind misgave her, she had come after me to the head of the stairs, and heard what they were saying. I don’t believe she ever rightly knew what had happened, for before I could get to her she had fainted; and she was very ill from that moment.’
‘And it was the next day she died!’ said Guy, looking up, after a long silence. ‘Did she—could she take any notice of me?’
‘No, sir; she lived but half an hour, or hardly that, after you were born.’ I told her it was a son; but she was not able to hear or mind me, and sank away, fainting like. I fancied I heard her say something like “Mr. Morville,” but I don’t know; and her breath was very soon gone. Poor dear!’ added Mrs. Lavers, wiping away her tears. ‘I grieved for her as if she had been my own child; but then I thought of her waking up to hear he was dead. I little thought then, Sir Guy, that I should ever see you stand there,—strong and well grown. I almost thought you were dead already when I sent for Mr. Harrison to baptize you.’
‘Was it you that did so?’ said Guy, his face, mournful before, lighting up in a sudden beam of gratitude. ‘Then I have to thank you for more than all the world besides.’
‘Law, sir!’ said Mrs. Lavers, smiling, and looking pleased, though as if but half entering into his meaning. ‘Yes, it was in that very china bowl; I have kept it choice ever since, and never let it be used for anything. I thought it was making very bold, but the doctor and all thought you could not live, and Mr. Harrison might judge. I was very glad just before he came that Mr. Markham came from Redclyffe. He had not been able to leave poor Sir Guy before.’
Guy soon after set out on his homeward ride. His yearning to hear of his mother had been satisfied; but though he could still love the fair, sweet vision summoned up by her name, he was less disposed to feel that it had been hard upon him that she died. It was not Amy. In spite of his tender compassion and affection, he knew that he had not lost a Verena in her. None could occupy that place save Amy; and his mind, from custom, reverted to Amy as still his own, thrilled like a freshly-touched wound, and tried to realize the solace that even yet she might be praying for him.
It was dreariness and despondency by day, and he struggled with it by energy and occupation; but it was something even worse in the evening, in the dark, solitary library, where the very size of the room gave an additional sense of loneliness; and in the silence he could hear, through the closed shutters, the distant plash and surge of the tide,—a sound, of which, in former years, he had never been sensible. There, evening after evening, he sat,—his attention roaming from his employment to feed on his sad reflections.
One evening he went to the large dark dining-room, unlocked the door, which echoed far through the house, and found his way through the packed-up furniture to a picture against the wall, to which he held up his light. It was a portrait by Lely, a half-length of a young man, one hand on his sword, the other holding his plumed hat. His dark chestnut hair fell on each side of a bright youthful face, full of life and health, and with eyes which, even in painting, showed what their vividness must have been. The countenance was full of spirit and joy; but the mouth was more hard and stern than suited the rest; and there was something in the strong, determined grasp of the sword, which made it seem as if the hand might be a characteristic portrait. In the corner of the picture was the name—‘Hugo Morville. AEt. 2O, 1671.’