Clement was right. The boy’s only mention of the paragraph was once as “that beastly thing”; and Anna discovered from Valetta Merrifield, that whatever satisfaction he might have derived from it had been effectually driven out of him by the “fellows” at Mrs. Edgar’s, who had beset him with all their force of derision, called him nothing but the “youthful Bart.,” and made him ashamed as none of the opposite sex or of maturer years could ever have succeeded in doing. Valetta said Fergus had tried to stop it, but there had certainly been one effect, namely, that Adrian was less disposed to be “Merry’s” shadow than heretofore, and seemed inclined instead to take up with the other seniors.
One thing, however, was certain. Gerald enjoyed a good deal more consideration among the Clipstone damsels than before. True, as Jasper said, it was only what any one would have done; but he had done it, and proved himself by no means inferior to “any one,” and Fergus regarded him as a true hero, which had a considerable effect on his sisters, the more perhaps because Jasper derided their admiration.
They were doubly bent on securing him for a contributor to the Mouse-trap. They almost thought of inviting him to their Browning afternoons, but decided that he would not appreciate the feminine company, though he did so often have a number of the ‘Censor’ to discuss it with Dolores, whenever they met him.
CHAPTER XII. — THE LITTLE BUTTERFLY
The best actors in the world, either for tragedy, comedy,
history, pastoral, pastoral-comical, historical-pastoral.
—Hamlet.
The Matrons, otherwise denominated lady patronesses, met in committee, Miss Mohun being of course the soul and spirit of all, though Mrs. Ellesmere, as the wife of the rector of old Rockstone Church, was the president, Lady Flight, one of the most interested, was there, also Lady Merrifield, dragged in to secure that there was nothing decided on contrary to old-world instincts, Mrs. Grinstead, in right of the musical element that her brother promised, the beautiful Mrs. Henderson, to represent the marble works, Mrs. Simmonds of the Cliff Hotel, the Mayoress, and other notables.
The time was fixed for the first week in August, the only one when engagements would permit the Rotherwood family to be present for the opening, and when the regatta was apt to fill Rockquay with visitors. The place was to be the top of the cliffs of Rockstone, where the gardens of the Cliff Hotel, of Beechcroft Cottage, Rocca Marina, and Carrara, belonging respectively to Miss Mohun, Mr. White, and Captain Henderson, lay close together separated by low walls, and each with a private door opening on a path along the top of the cliffs. They could easily be made to communicate together, by planks laid over the boundaries, and they had lawns adapted for tents, etc., and Rocca Marina rejoiced in a shrubbery and conservatories that were a show in themselves, and would be kindly lent by Mr. and Mrs. White, though health compelled them to be absent and to resort to Gastein. The hotel likewise had a large well-kept garden, where what Mrs. Simmonds called a pavilion, “quite mediaeval,” was in course of erection, and could be thrown open on the great day.
It was rather “tea-gardenish,” but it could be made available for the representation of The Outlaw’s Isle. Lancelot made a hurried visit to study the place, and review the forces, and decided that it was practicable. There could be a gallery at one end for the spectators, and the outer end toward the bay could be transformed into a stage, with room for the orchestra, and if the weather were favourable the real sea could be shown in the background. The scenes had been painted by the clever fingers at Vale Leston. It remained to cast the parts. Lancelot himself would be Prospero, otherwise Alaster Maclan, and likewise conductor, bringing with him the school-master of Vale Leston, who could supply his part as conductor when he was on the stage. His little boy Felix would be Ariel, the other elves could be selected from the school-children, and the local Choral Society would supply the wreckers and the wrecked. But the demur was over Briggs, a retired purser, who had always had a monopoly of sea-songs, and who looked on the boatswain as his right, and was likely to roar every one down. Ferdinand would be Gerald, under the name of Angus, but the difficulty was his Miranda—Mona as she was called. The Vanderkists could not be asked to perform in public, nor would Sir Jasper Merrifield have consented to his daughters doing so, even if they could have sung, and it had been privately agreed that none of the other young ladies of Rockquay could be brought forward, especially as there was no other grown-up female character.
“My wife might undertake it,” said Lancelot, “but her voice is not her strong point, and she would be rather substantial for a Miranda.”