Hoppy said, “Huh?”
It was a young woman’s laughter that sounded then. And it was not the cracked voice of the beggar woman that said, “Mr Templar, I’m beginning to understand the reasons for your reputation. How did you know I was an actress? You didn’t recognise me?”
The Saint replaced his drink, gave Hoppy a bottle to himself, and sat down, stretching his long legs.
“I just realised why you were never at your corner during theatre hours. A real beggar would have been. That’s when the money flows fastest. Saturday afternoon you weren’t there either — a matinée, I suppose? But I didn’t recognise you, no.”
She said, “I’m Monica Varing.”
The Saint raised his brows. Varing was one of the great names, as well-known in theatrical circles as he was himself in his own peculiar field. Drew, Barrymore, Terry, Varing — they were all names that had blazed across the marquees of the world’s capitals. For ten years Monica Varing had been that rare thing, an actress — not merely a star, but a follower of the tradition that has come down through the London Globe from the Greek amphitheatres. More than that, if he remembered other pictures of her, she was the most unchanged beauty of the modern stage. She nodded towards the man squatting on the rug and said, “I don’t know whether I should say any more in front of him.”
“In case he gets away — or talks, you mean?” Simon suggested, his blue eyes faintly amused. “You needn’t worry about that. Junior’s not going to talk indiscriminately from now on. We can manage that, can’t we, Hoppy?”
Hoppy said broodingly, “I never hoid nobody talk after dey was dropped in de lake wit’ deir feet in a sack of cement.”
“Listen!” Junior yelped. “You can’t do this to me!”
“Why not?” the Saint asked, and in the face of that logical query Junior was silent.