"I think I saw a picture of Chaulage in the paper once," she said, with almost polite indifference. "A funny little fat man who looks like a retired grocer."
"He is," said the Saint. "He also happens to be prime minister of France. And funny little fat Frenchmen who look like retired grocers often have ideas, particularly when they get to be prime ministers. Of course that would never be allowed in this country, but it happens there. And one of Comrade Chaulage's ideas is a bill to take all the private profit out of war, which is naturally very unpopular with Luker and Fairweather and Sangore and the directors of the Siebel Factory. So that makes Comrade Chaulage a doubly suitable victim. And when the Sons of France seize power his bill will be firmly forgotten, people will march about and wave flags, bigger and better armaments will be the cry, the people will be told to be proud of going without butter to pay for bombs and the people who sell the bombs will be very happy. Hitler and Marteau will scream insults at each other across the frontier like a couple of fishwives, and pretty soon everything will be lined up for a nice bloody war. Some millions of men, women and children will be burned, scalded, blistered, gassed, shot, blown up and starved to death, and the arms ring will sit back on its foul fat haunches and rake in the profits on a turnover of about five thousand pounds per corpse, according to the statistics of the last world war."
"Would that photograph have something to do with it, too?"
"That's probably the most damning evidence of all. It seems to me that there's only one thing it can possibly mean. The half-witted-looking warrior on the right — you remember him? — he must be the martyr who's going to do the job. Some poor crazy fanatic they've got hold of who's been sold on the idea of how glorious it would be to give his life for| the Cause; or else some ordinary moron who doesn't even know or care what it's all about. It must be that, or the photograph doesn't mean anything. God knows how Kennet managed to take it — we never shall. He risked his life when he did it, and the risk caught up with him in the end; but it's still a photograph that might make history. It would probably swing all except Marteau's most fanatical sympathizers against him if it was published; under any government that Marteau wasn't running it could send Luker to the guillotine…"
He went on talking not because he wanted to, but to give her the distraction she had asked for. It grew darker and darker until he could no longer see her at all. The time dragged on, and presently he had nothing new to say. Her own contributions were only short, strained, apathetic sentences which left all the burden of talking to him.
Presently he heard her stirring in an abrupt restless way which warned him that the sedative was losing its effect. He was silent.
She shuffled again, coming closer, until her shoulder touched his. He could feel her trembling. It would have helped if he could have held her. But his wrists were bound so tightly that his hands were already numb; long ago he had tried every trick he knew to release himself, but the knots had been too scientifically tied, and anything with which he might have cut himself free had been taken from him while he was unconscious.
Because there was nothing else he could do, he kissed her, more gently than he had ever done before. For a while she gave herself up hungrily to the kiss; and then she dragged her lips desperately away.
"Oh hell," she sobbed. "I always thought it'd be so marvellous if you ever did that, and now it just makes everything worse."
"I know," he said. "It must be dreadful to feel so safe."