"I'm sorry, madam," said the detective. "I just left the room for one minute to find a glass of water. But I think we've got the man all right." He bent down and hauled the Saint to his feet. "We'd better search this fellow, and one of the footmen can go for the police while we're doing it."
Peter saw that the Saint's face had gone hard as polished teak. In Simon's right hand was the Star of Mandalay, pressed against his jaw as he was holding it. As soon as the lights had gone out he had guessed what was going to happen: he had crossed the floor like a cat, grasped it neatly as Runce tore it out of its setting, and sent the big man flying with one well-directed left. All that he had been prepared for; but there were wheels turning that he had never reckoned with.
He looked the detective in the eyes.
"The less you talk about the police the better," he said quietly. "I was in the conservatory a few minutes ago, and I happened to hear Mr. Carney say: 'I'd better see Watkins and make sure he's ready to fix those lights.' I didn't think anything of it at the time, but this looks like an explanation."
There was an instant's deadly silence; and then Philip Carney laughed.
"That's one of the cleverest tricks I've ever heard of," he remarked. "But it's a bit libellous, isn't it?"
"Not very," said a girl's clear voice.
Again the murmur of talk was stifled as if a blanket had been dropped on it; and in the hush Kate Allfield came into the front of the crowd. George Runce was rising on his elbows, and his jaw dropped as he heard her voice. She gave him one contemptuous glance, and faced Mrs. Dempster-Craven with her head erect.
"It's perfectly true," she said. "I was with Mr. Templar in the conservatory, and I heard it as well."
Carney's face had gone grey.