His dog had run out of the house when the G-men had come and had never been seen since.
Baird didn’t want to remember them as they were now. He wanted to remember them as they were before his father hooked up with Dillinger, when the farm was a happy place, and his mother was always laughing, in spite of the endless hours of work.
But if Olin suspected him, he would have the house covered by now, and he wasn’t going to walk into a trap, no matter how much he wanted that book of photographs.
He remained in the shadows, watching the house. There was no one in sight, and there was nothing suspicious about the house. His two windows, overlooking the street, were in darkness, but for all that, instinct warned him to take no chances.
After five long minutes of standing motionless, he decided it would be safe to cross the street. He pulled the Colt from its holster and held it down by his side. As he was about to step into the light of a street standard, he saw a movement from a dark doorway opposite him.
He froze, his pale eyes searching the doorway. It was several minutes before he made out the dim outlines of a man, standing against the wall.
Baird showed his teeth in a bitter, mirthless smile. So Olin was on to him, and he had nearly walked into a trap. Very possibly there were coppers in his apartment waiting to put the blast on him as he opened his front door. Cautiously he edged back, then when he was out of sight of the house, he turned and walked quickly back the way he had come.
At the other end of the alley was a drug store. He pushed open the door and crossed over to a row of pay booths. There was no one in the store except a young girl in a white coat, reading a paper-backed book, behind a soda fountain. She glanced up to give Baird an indifferent glance, then went on reading.
Baird shut himself in the booth and dialled Rico’s number. He had to be sure Olin was covering the house. It would be infuriating to be stampeded by some loafer waiting for his girl. He would never forgive himself if he were panicked into leaving those photographs when it would be so simple to cross the street and get them.
Rico came on the line.