Hugh Miller was another man of undoubted genius. When we contemplate such a man rising to distinction both in science and literature, in spite of the most adverse circumstances, we are apt to think that he must have been indebted to the native vigor of his mind alone, without the aid of any extraneous advantages. But what do we find to be the case? No one can peruse his works without perceiving that he was a great reader, and that the thoughts of others supplied the food on which his mind grew. Like Dr. Johnson, he was a robust genius, capable of grappling with whole libraries. He seems, while yet unknown to fame, to have ransacked our whole literature, quarrying his way into many hidden recesses not generally explored. Even classical works, translated into English, he read with avidity. He says himself—“I have read Cowper’s ‘Homer’ and Dryden’s ‘Virgil’ again and again, and drunk in all their beauties.”
This appetite for reading commenced at an early age. When a lad about twelve he got access to a small library belonging to one of his neighbors, and was allowed freely to peruse its contents. He says, casting a glance back to these times:—“I read incessantly; and, as the appetite for reading becomes stronger the more it is indulged, I felt, when I had consumed the whole, a still keener craving than before.”
By these steps he rose to eminence. He thus became a distinguished man. His mind was enriched by much reading. It received a training which qualified him in future years to become a geologist of the first rank, to write on scientific subjects in a style of rare beauty, so picturesque and expressive that men of distinguished parts have said they would give their “left hand” if they could only imitate it, and, in a word, to handle skilfully any subject to which he turned his attention, not excepting just and delicate criticism on some of our less known poets.
Among men of science there are few, if any, whose writings have made a greater impression on the present generation than those of Charles Darwin. How were his works produced? Not by fits and starts. Not by flights of fancy. He is penetrated by the true scientific spirit, and steadily pursues his object for years, patiently accumulating facts, and by their light drawing conclusions in which, though men may differ on some points, there will always be found large portions of solid truth. Let us see, for example, how his remarkable book on the “Origin of Species” was produced. It was not struck out at a blow, but was the labor of years and of much patient thought. He himself says of it:—“On my return home it occurred to me, in 1837, that something might perhaps be made out on this question by patiently accumulating and reflecting on all sorts of facts which could possibly have any bearing upon it.” He steadily pursued his object from that time, for more than twenty years, and then his work was published to the world.
This is the way in which great works on science are produced. The author takes great pains. He steadily pursues his object for years, with patient thought and unremitting attention, leaving no stone unturned. It is this that accomplishes great things, and not mere flight of untutored genius.
It is needless to say that his latest work, on the modest subject of earth-worms, exhibits the same painstaking care, the same laborious study, and the same patient accumulation of facts.
Hitherto the examples adduced have been more of a scientific than literary character. If, leaving science, we take a glance at general literature, it will be found that those also who come to the front as writers in this branch of learning are, without exception, distinguished by their habit of taking pains with the subject in hand.
Were the writings of the brilliant Macaulay the outpourings of pure genius, unaided by painstaking labor and diligent study? Far from it. When he wrote on any subject he was unwearied in his researches. No amount of labor appalled him. Even when husbanding his resources, and engaged in no particular literary task, he read continually, laying in a store for future use. To read was his passion and delight. It was his solace under all circumstances. It cheered him in his Indian exile. In turning over the pages of his life we are absolutely struck with awe at his insatiable appetite for books. It would be difficult to find an example of anyone in these modern times whose reading, especially in the Greek and Roman classics, took so wide a range. He read, not only in his study, but in his long walks he had always a book with him, which he read incessantly.
Nothing is said in his life of his habits of composition, but there can be little doubt that his clear and vigorous style was not formed without much study and practice. In addition to his admirable prose style, he had great facility in writing verses. How did he acquire it? By long continued practice. He says, in a letter to one of his sisters:—“As you like my verses, I will some day or other write you a whole rhyming letter. I wonder whether any other man ever wrote doggerel so easily. I run it off just as fast as my pen can move. This comes of a schoolboy habit of writing verses all day long.”
Of our modern prose writers, there are few whose writings are more easy to read than those of Charles Dickens. They look like the spontaneous outpourings of genius, flowing freely from his pen without effort. And yet, in point of fact, he took great pains with what he wrote. When engaged on “Little Dorrit” he jots down these words in his journal:—“Now to work again. The story lies before me strong and clear. Not to be easily told; for nothing of that kind is to be easily done that I know of.”