President Arthur, it seems, by his last message to Congress, has been giving special attention to the revenues of the government. He says there is a surplus accumulating by every tax, and gives his opinion that this is neither wise nor economical. The surplus in the treasury for the year ending June, 1882, was $145,000,000. This is a good point at which Congress may begin to reduce the taxes on some commodities.
The Society of “American Artists” (it is a big name) has adopted a resolution urging Congress to remove all the duties on foreign works of art and admit them all, superior and inferior, free. This is not only unwise, but it is un-American. Suppose such wild and inconsiderate action should be taken by Congress, it would bring pictures and statues, made by cheap labor, from Europe by the ship load, and work injustice to American sculptors and painters. We need home protection for the artists quite as much as for any class of people among us.
The Rev. Dr. J. H. Vincent writes as follows of “Webster—an Ode:” Dr. William Cleaver Wilkinson has long been an enthusiastic admirer of the Sage of Marshfield. He has written two or three elaborate essays upon Webster’s character, genius and work. This ode is a bold and brilliant attempt to celebrate the praise of the Massachusetts giant. Taking several salient incidents from Webster’s life, he follows a “challenge” and “counter-challenge,” with several short poems on the youth, education and legal ability of the great lawyer. The ninth poem is a charming pastoral, setting forth Webster as a farmer; the tenth celebrates the orations on Plymouth Rock and Bunker Hill. In the remaining poems the author exalts the statesman and the defender of the constitution; closing with a tribute to his stability, a plea to his state for a favorable verdict upon the fame of her faithful son, closing the fifteenth passage, which is a simple couplet, delicately attributing to this song a serviceable ministration in behalf of the fame of its subject. Forty quarto pages of the poem are followed by eighty-two pages of elaborate, instructive, and exceedingly valuable notes on the private morals, public virtue, genius, statesmanship, oratory, personal traits, and religious faith and character of Mr. Webster. There are passages of remarkable power in this noble poem. All admirers of its hero (and where are they not to be found), will delight in the reading.
[EDITOR’S TABLE.]
[We solicit questions of interest to the readers of The Chautauquan to be answered in this department. Our space does not always allow us to answer as rapidly as questions reach us. Any relevant question will receive an answer in its turn.]
Q. Why do fogs often rise, if, as Professor Reynolds positively and repeatedly asserts, cloud particles are all descending? Is not a fog composed of cloud particles, and if so, how can it rise if “cloud particles do not float but are all descending through the air?”