[JAPANESE LITERATURE.]
[TRANSLATIONS FROM JAPANESE MYTHOLOGY.]
The first man was Izanagi, the first woman Izanami. Standing together on the floating bridge of heaven, the male plunged his jeweled falchion, or spear, into the unstable waters beneath them, and withdrawing it, the trickling drops formed an island, upon which they descended. The creative pair, or divine man and woman, designing to make this island a pillar for a continent, separated—the male to the left, the female to the right—to make a journey round the island. At their meeting, the female spirit spoke first, “How joyful to meet a lovely man!” The male spirit, offended that the first use of the tongue had been by a woman, required the circuit to be repeated. On their second meeting, the man cried out, “How joyful to meet a lovely woman!” They were the first couple; and this was the beginning of the art of love, and of the human race. The island (Awaji) with seven other large, and many thousand small ones, became the Everlasting Great Japan. The Heaven-illuminating Goddess was their first child. She shone beautifully, and lighted the heavens and the earth. Her father, therefore, transferred her from earth to heaven, and gave her the ethereal realm to rule over. At this time the earth was close to heaven, and the goddess easily mounted the pillar, on which heaven rested, to her kingdom.
The second child became the Goddess of the Moon. Of their third child, a boy, they entertained the highest hopes. He grew up, however, to be a most mischievous fellow, killing people, pulling up their trees, and trampling down their fields. He grew worse as he grew up. He was made ruler over the blue sea; but he never kept his kingdom in order. He let his beard grow down over his bosom. He cried constantly; and the land became a desert, the rivers and seas dried up, and human beings died in great numbers. His father, inquiring the reason of his surly behavior, was told that he wished to go to his mother, who was in the region under the earth. He then made his son ruler over the kingdom of night. The august scape-grace still continued his pranks, unable to refrain from mischief. One day, after his sister, the Sun-goddess, had planted a field with rice, he turned a wild horse loose, which trampled down and spoiled all her work. Again, having built a store house for the new rice, he defiled it so that it could not be used. At another time, his sister was sitting at her loom, weaving. Sosanoö, having skinned a live horse by drawing its skin off from the tail to the head, flung the reeking hide over the loom, and the carcass in the room. The goddess was so frightened that she hurt herself with the shuttle, and, in her wrath, retired to a cave, closing the mouth with a large rock. Heaven, earth, and the four quarters became enshrouded in darkness, and the distinction between day and night ceased.
The gods create great confusion and noise pretending to be very merry when the Sun-goddess within, unable to account for the ill-timed mirth, since heaven and earth were in darkness, rose, and approaching the rocky door, listened to the honeyed words of one of the gods, who was praising her. Impelled further by curiosity, she opened the door, slightly, and asked why Uzumé danced and the gods laughed? Uzumé replied, “I dance because there is an honorable deity who surpasses your glory.” As she said this, the exceedingly beauteous god Futodama showed the mirror. The Sun-goddess within, astonished at her own loveliness, which she now first beheld in the reflection, stepped out a little further to gratify her curiosity. The God of Invincibly Strong Hands, who stood concealed, pulled the rock door open, caught her by the hand, and dragged her forth. The wisest of the gods, who superintended the whole proceedings, took a rope of twisted rice-straw, passed it behind her, and said, “Do not go behind this.” Then they removed the Sun-goddess to her new palace, and put a straw rope around it to keep off evil gods. Her wicked brother was punished by having each particular hair of his head pulled out, and his finger and toe nails extracted. He was then banished.
Another legend says the Sun-goddess spoke to Sosanoö (the Moon-goddess), who reigned jointly with her over the high plain of heaven, and said, “I have heard that there is a food-possessing goddess in the central country of luxuriant reedy moors (Japan). Go and see.” Descending from heaven, she came to the august abode of the Goddess of Food, and asked for refreshment. The goddess, creating various forms of food, such as boiled rice from the land, fish from the sea, beasts, with coarse and fine hair, from the hills, set them on a banqueting-table before Sosanoö, who, enraged at the manner of the creation of the food, killed her.
Reporting the matter in heaven, Amaterasŭ was angry at Sosanoö, and degraded her (the Moon-goddess) from joint rule, and condemned her to appear only at night, while she, the Sun-goddess, slept. Amaterasŭ then sent a messenger the second time to see whether the Food-goddess was really dead. This was found to be the case. Out of the dead body were growing, millet on the forehead; silk-worms and a mulberry-tree on the eyebrows; grass on the eyes; on the belly, rice, barley, and large and small beans; The head finally changed into a cow and horse. The messenger took them all, and presented them to Amaterasŭ. The Sun-goddess rejoiced, and ordained that these should be the food of human beings, setting apart rice as the seed of the watery fields, and the other cereals as the seed of the dry fields. She appointed lords of the villages of heaven, and began for the first time to plant the rice-seeds. In the autumn the drooping ears ripened in luxuriant abundance. She planted the mulberry-trees on the fragrant hills of heaven, and rearing silk-worms, and chewing cocoons in her mouth, spun thread. Thus began the arts of agriculture, silk-worm rearing, and weaving.