He rises to a higher strain than this in other lyrics, where he places domestic virtue above external beauty, and speaks of minne in the higher interpretation of the word. “Even where it can not be returned,” he says, “if devoted to one worthy of it, it ennobles a man’s life. His affection for one teaches him to be kind and generous to all.” Walther pleasantly describes himself as by no means good-looking, and censures all praise bestowed on men for their merely exterior advantages. And he is no fanatical worshiper of feminine beauty, affirming that it may sometimes be a thin mask worn over bad passions.
With regard to their moral and social purport the verses of Walther have a considerable historical interest. They show us how insecurely the Church held the faith and loyalty of German men in the thirteenth century.
Walther is bold and violent in his defiance and contempt of the Pope’s usurpation of temporal authority. Referring in one place to a fable commonly believed in his times, he says: “When Constantine gave the spear of temporal power, as well as the spear and the crown to the See of Rome, the angels in heaven lamented, and well they might; for that power is now abused to annoy the emperor and to stir up the princes, his vassals against him.” The poet was as earnest in dissuading the people from contributing money to support the Crusades. “Very little of it,” he says, “will ever find its way into the Holy Land. The Pope is now filling his Italian coffers with our German silver.” This saying seems to have been very popular for a tame moralist who lived in Walther’s time complains that, by making such statements, the poet was perverting the faith of many people. “All his fine verses,” the moralist adds, “will not atone for that bad libel on Rome.” Yet the author of it was quite orthodox in doctrine, and was enthusiastic in his zeal for rescuing the Holy Sepulcher from the Saracens.
Many of his verses express earnestly his love for his native land, and his grief for social and political disorders of his times. He believes that the world is falling a prey to anarchy. “I hear the rushing of the water,” he says, “and I watch the movements of the fish that swim in its depth. I explore the habits of the creatures of this world in the forest and in the field, from the beast of the field down to the insect, and I find that there is nowhere any life that is not vexed by anarchy and strife. Warfare is found everywhere, and yet some order is preserved even among animals; but in my own native land, where the petty princes are lifting themselves up against the emperor, we are hastening on to anarchy.” The course of events proved that he was too true in this prediction. Resignation and despair, rather than any hope of a reconciliation of religion with practical life, characterize other meditative poems. The following is one of the best of this class:
I sat one day upon a stone,
And meditated long, alone,
While resting on my hand my head,
In silence to myself I said:
“How, in these days of care and strife,
Shall I employ my fleeting life?