On one of his birthdays the school children of Indianapolis decided to march in a great throng by his house and greet him as he sat by his window in an invalid’s chair. To their sorrow, when this birthday came it rained hard all day––so hard that they could not think of going out in the storm. But in the high school was a group of pupils who decided that no storm could keep them from showing their love. Accordingly, early in the evening, in the pouring rain, they gathered about his home and in clear, ringing tones sang several of his beautiful poems that had been set to music. So delighted was the great poet that he invited them in and they packed his large sitting room. And what an hour they had together! As they sang he forgot his suffering and was young again. Before they left he recited several of his poems in such a pleasing and impressive manner that I am sure those present will never forget it. One of these, and one which is a great favorite, is entitled The Old Swimmin’-Hole.
Though Mr. Riley is no longer with us, he still has the same big place in our hearts. Why do we love him so? Is it not because he was able to reach our hearts as few have done; because he was able in all his poems to speak the word that we needed most?
James Whitcomb Riley was born at Greenfield, Indiana, in 1853. His father was a lawyer and farmer combined. While he did the legal work of the village, he also owned a farm at the edge of town. As he was a good speaker he was in constant demand in that part of the state to speak on all kinds of occasions. Generally, on these trips, he took young James along; thus it was that the lad acquired a desire to travel that it took years of his after life to satisfy.
It was from his mother that James received his talent for writing poetry. Though never a poet, she was exceedingly apt, as were all her people, in writing rhymes. The beautiful tributes that Riley, later in life, paid his mother show that she always understood and helped him.
Greenfield, during the boyhood days of Riley, was not the kind of town we think of as producing poets. There were no mountains to kindle the imagination, and no babbling brooks to encourage meditation. In every direction were broad stretches of level land largely covered with forests that still remained untouched. Between these forest stretches were patches of land that were cultivated by hand; for at that time there was but little farm machinery. The greatest single task of the people was to clear the forests and bring the soil under cultivation. Greenfield was, therefore, in part an agricultural town and in part a lumber town. Like most small towns, it was slow-moving and uninteresting. The scenes most frequented were the loafing places.
As there was very little in Greenfield for a lad to do, James’ father very often pressed him into service planting and cultivating corn, but he never liked it. While at first we are inclined to regret this, we wonder, had farm life appealed to him, whether he would have made a great poet.
Years later in speaking of his lack of experience in real farm life Mr. Riley says: “Sometimes some real country boy gives me the round turn on some farm points. For instance, here comes one slipping up to me, ‘You never lived on a farm,’ he says. ‘Why not’? says I. ‘Well,’ he says, ‘a turkey-cock gobbles, but he doesn’t ky-ouck as your poetry says.’ He has me right there. It’s the turkey-hen that ky-oucks. ‘Well, you’ll 87 never hear another turkey-cock of mine ky-ouckin,’ says I. But generally I hit on the right symbols. I get the frost on the pumpkin and the fodder in the shock; and I see the frost on the old axe they split the pumpkins with for feed, and I get the smell of the fodder and the cattle, so that it brings up the right picture in the mind of the reader.”