To obtain exact truth always has been surrounded by difficulties. Almost every historian complains of the task of establishing the truth of history. He finds the literature of the time at variance with the facts; public documents and records absolutely contradicting one another; while the recollections and reminiscences of the oldest inhabitants are fanciful dreams. It was Talleyrand who said of a treaty that if it contained no ambiguities some should be inserted.

The young newspaper writer finds his task of telling the truth quite as difficult, not only because so many persons seek to conceal the truth but also from the well-known fact—recognized and constantly commented on in our courts of law—that two persons rarely see or hear or comprehend alike. Honest witnesses give different versions.

But the newspaper manager expects the reporter to get the exact facts, and frequently the unfortunate writer finds himself compelled to resort to trickery and all kinds of subterfuge to do so. If he fails to get the facts his advancement in the office is checked. Inquiry is made into the cause of his failure and if good reason for it appears it may be forgotten. If it is through carelessness or indolence he is discharged, and the reason for dropping him is known within twenty-four hours in every other newspaper office in the city. It is all very unpleasant.

If the new reporter be so unfortunate as to begin his career on a dishonest or an extremely sensational sheet he may suffer an experience yet more disagreeable, for he may be asked to distort the truth deliberately. Fortunately this is not a frequent request: Very few newspapers seek to print falsehoods or ask their men to pen untruths. Much less of that sort of thing prevails than disgraced the press of twenty-five years ago; yet a few editors remain who seem to think that exaggeration and falsification attract more readers than does the truth, and they demand that all news reports be colored with spectacular embellishment. This is unpleasant as well as unprofessional. It is demoralizing to a young writer. It is disastrous to his reputation for serious, trustworthy work. Yet more serious as well as more repulsive is the necessity occasionally imposed by dishonest editors on the reporter of blackening a man’s reputation or exalting the deeds of a scoundrel. But this does not happen often.

The confusion and noise of the office often annoy the young writer and lessen his ability to do himself justice. The news is usually written and handled in one large room. Twenty or thirty reporters, subeditors and office boys are doing rush work. A noisy reporter blows in, as though carried on a whirlwind, talks all the time, shouts for an office boy, calls for reference books and newspaper files and drinking water all in one breath, and keeps it going. Hurry-up telephone bells are jingling and men are bawling through the transmitters. Typewriters resound their staccato clicking. Call bells are striking and reporters are tapping their desk tops for office boys, and the boys are tumbling over one another in response, and are darting from desk to desk with copy. Persons are coming and going all the time, talking and laughing and shuffling. The old hands are used to it; but the young man accustomed to the silence of the study room sometimes develops symptoms of insanity.

Of serious consideration, also, is the fact that morning newspaper work sadly interferes with social and home life and with a host of amusements and entertainments and pleasures enjoyed by day workers. In the big cities members of news staffs seldom dine at home. The news writers go on duty early in the afternoon if not before; the news editorial staff at six o’clock or thereabouts, all to remain until well after midnight. Dinner parties, theater parties, dancing parties—all evening social life may be enjoyed on the one day only of the seven, known as the day off. The newspaper man toils while others play—and his night’s work ends somewhat dismally by his dragging home at two o’clock in the morning, maybe through storm or sleet or tempest, to a cold, cheerless, silent, dark home—a home unattractive under these conditions despite every effort to make it otherwise.

To the hard-working man of ordinary occupation there comes a certain sense of enjoyment in the relaxation following business effort. He does not want to go immediately and stealthily to bed. The morning-newspaper man is compelled to do so. The day worker enjoys his homecoming, his leisurely evening repast, the diversions of the few hours preceding sleep. It is the bright spot in the day. The newspaper man rolls off the editorial bench into bed.

This demoralization of home and social life constitutes a very great objection to entering the newspaper business. It affects nine-tenths of the morning-newspaper staff. If the young journalist chances to marry it imposes hardships on the young wife. Usually she begins her married life by loyally and cheerfully trying to sit up until long after midnight to greet him on his return—but not for long. The coming of children and the establishing of a home compel normal rest and other attentions, and she reluctantly ceases her long waiting vigil. Instead of greeting him with a daintily prepared bit of warm food she now puts out a plate of cold stuff left over from the day before, which he mechanically masticates or not as his mood suggests; and a little later on it is decided that he might stop at a night restaurant for a bite, if he is hungry. As she cannot go out in the evening with him she misses many of the social pleasures to which presumedly she had been accustomed and which she had expected in her new life. But most of all she misses his presence and his attentions.


CHAPTER II