“He is really rather naughty sometimes,” said Mary Gray, laughing softly as she buttoned her old gray gloves.
“Oh, this is really mesmerism, or something,” said Rosamund, and burst into tears.
At the same moment the two black-clad doctors appeared out of the house with their great green-clad captive between them. He made no resistance, but was still laughing in a groggy and half-witted style. Arthur Inglewood followed in the rear, a dark and red study in the last shades of distress and shame. In this black, funereal, and painfully realistic style the exit from Beacon House was made by a man whose entrance a day before had been effected by the happy leaping of a wall and the hilarious climbing of a tree. No one moved of the groups in the garden except Mary Gray, who stepped forward quite naturally, calling out, “Are you ready, Innocent? Our cab’s been waiting such a long time.”
“Ladies and gentlemen,” said Dr. Warner firmly, “I must insist on asking this lady to stand aside. We shall have trouble enough as it is, with the three of us in a cab.”
“But it IS our cab,” persisted Mary. “Why, there’s Innocent’s yellow bag on the top of it.”
“Stand aside,” repeated Warner roughly. “And you, Mr. Moon, please be so obliging as to move a moment. Come, come! the sooner this ugly business is over the better–and how can we open the gate if you will keep leaning on it?”
Michael Moon looked at his long lean forefinger, and seemed to consider and reconsider this argument. “Yes,” he said at last; “but how can I lean on this gate if you keep on opening it?”
“Oh, get out of the way!” cried Warner, almost good-humouredly. “You can lean on the gate any time.”
“No,” said Moon reflectively. “Seldom the time and the place and the blue gate altogether; and it all depends whether you come of an old country family. My ancestors leaned on gates before any one had discovered how to open them.”
“Michael!” cried Arthur Inglewood in a kind of agony, “are you going to get out of the way?”