“I am sorry, Dorian,” said Ivywood, when he had heard the whole story. “These fanatics are capable of anything, I fear, and you very rightly resent their stealing your car–”
“You are wrong, Philip,” answered the poet, emphatically. “I do not even faintly resent their stealing my car. What I do resent is the continued existence on God’s earth of this Fool” (pointing to the serious Hibbs) “and of that Fool” (pointing to the Inspector) “and–yes, by thunder, of that Fool, too” (and he pointed straight at Lord Ivywood). “And I tell you frankly, Philip, if there really are, as you say, two men who are bent on smashing your schemes and making your life a hell–I am very happy to put my car at their disposal. And now I’m off.”
“You’ll stop to dinner?” inquired Ivywood, with frigid forgiveness.
“No, thanks,” said the disappearing bard, “I’m going up to town.”
The Seventh Mood of Dorian Wimpole had a grand finale at the Cafe Royal, and consisted largely of oysters.
CHAPTER XVII
THE POET IN PARLIAMENT
DURING the singular entrance and exit of Dorian Wimpole, M.P., J.P., etc., Lady Joan was looking out of the magic casements of that turret room which was now literally, and not only poetically, the last limit of Ivywood House. The old broken hole and black staircase up which the lost dog Quoodle used to come and go, had long ago been sealed up and cemented with a wall of exquisite Eastern workmanship. All through the patterns Lord Ivywood had preserved and repeated the principle that no animal shape must appear. But, like all lucid dogmatists, he perceived all the liberties his dogma allowed him. And he had irradiated this remote end of Ivywood with sun and moon and solar and starry systems, with the Milky Way for a dado and a few comets for comic relief. The thing was well done of its kind (as were all the things that Philip Ivywood got done for him); and if all the windows of the turret were closed with their peacock curtains, a poet with anything like a Hibbsian appreciation of the family champagne might almost fancy he was looking out across the sea on a night crowded with stars. And (what was yet more important) even Misysra (that exact thinker) could not call the moon a live animal without falling into idolatry.
But Joan, looking out of real windows on a real sky and sea, thought no more about the astronomical wall-paper than about any other wall-paper. She was asking herself in sullen emotionalism, and for the thousandth time, a question she had never been able to decide. It was the final choice between an ambition and a memory. And there was this heavy weight in the scale: that the ambition would probably materialise, and the memory probably wouldn’t. It has been the same weight in the same scale a million times since Satan became the prince of this world. But the evening stars were strengthening over the old sea-shore, and they also wanted weighing like diamonds.
As once before at the same stage of brooding, she heard behind her the swish of Lady Enid’s skirts, that never came so fast save for serious cause.