“That’s the place,” said Guy.
“But as for Waynflete,” said Cuthbert, “my forefather must have had to drop it again pretty quickly. I suppose he played cards too often. I never heard of its having been in the family. My grandfather Maxwell was a country doctor, and didn’t think family traditions consistent with hard work. I never thought about the matter, till Miss Vyner was so much excited at discovering your hereditary foe.”
“I don’t myself care about traditions,” said Guy, in a slow, soft, argumentative tone that told of his county. “I don’t, you know, unfortunately share my aunt’s profound respect for the house of Waynflete. She is an ancestor worth having, I grant you I think, if she knew, she’d make a Christian effort to receive you kindly; but we won’t tell her. As for me, I object to feuds and obligations—and—ghosts, and heredity’s a hobby that’s overridden nowadays. We won’t part for ever.”
He turned his soft eyes round on his friend, with a smile, but Staunton, who had spoken without a serious thought, saw with surprise that he had thought the avowal necessary.
“Well, my dear boy,” he said, “I’m glad you don’t say, ‘Here’s Vauxhall Bridge and there’s Vauxhall Bridge Road—take the tram, I take the ’bus. Farewell.’ But we must hurry up; it’s getting late.”
When they came into the Abbey, Guy looked all round him in a searching, attentive way. He joined in the singing with a voice full and sweet enough to do justice to his Yorkshire blood, and when it was over, and they parted, said, as if it was a thing to be thankfully noted, “I have very much enjoyed it.”
When, on the Tuesday afternoon, the two young men appeared in Mrs Palmer’s handsome drawing-room, it was full of other visitors, and their entertainment fell at first to Florella’s share. Her figure, as she sat a little apart by a table covered with the usual knick-knacks and flowers, had a harmonious and pictorial effect which caught Guy’s fancy and remained in his memory. She was still very like Constancy, but with softened tints; hair and eyes had not the same bright chestnut hue, but were of a dim shady brown; she was paler, and though her young outlines were plump and full, they had an indescribable grace and softness. She had Constancy’s straight brows and square forehead; but the eyes beneath were of another but equally modern type, seeking, longing, as the eyes of Fiametta or of the Blessed Damozel herself, but with this difference: they were happy as if in faith that a good answer waited their questioning. Florella did not talk, or learn, or do, as much as Constancy; but she knew all about learning and doing, and, in a girlish way, lived in the face of the questions of her time. She had one gift, too, which was likely to bring her much joy, and to this, after a few commonplaces, Cuthbert turned the conversation.
“And your painting, Miss Vyner? Has it been getting on?”
“Yes,” said Florella, “I have been having lessons.”
“May we see?”