What to Eat, How to Serve it

by Christine Terhune Herrick

Basement dining-rooms are seldom too cold. If they are heated by a register or a stove, or even by a coal fire in the grate, the constant struggle of the housekeeper is to prevent their becoming uncomfortably warm. Vicinity to the kitchen has much to do with this, and is in summer-time a serious draw-back to comfort. An equable temperature must be striven for by frequent airing at all seasons, and during the heated term by shading the windows, and by keeping, as much as possible, the doors shut that communicate with the kitchen. One advantage at least is possessed by the basement dining-room in summer. In common with the cellar, or with any other partially subterranean chamber, it is cooler than one that is above ground and thus unprotected from the hot air without.

The best method of artificially lighting a dining-room is hard to decide. Nothing is prettier or pleasanter than candle-light, and it is preferable to gas or lamps in that it does not heat a room perceptibly. But candles are expensive, if enough are used to produce a respectable illumination, and nothing is more dismal than eating by a dim light. Good candles are costly, and cheap ones not only give a poor light, but drip and smoke and smell, and are otherwise intolerable. A new style of candle has recently been introduced which is pierced through its length with three holes. These tiny pipes are supposed to carry off the melted wax, and their advocates claim that these candles will not drip on the outside.

Except on state occasions, candles are barred out for people of moderate means, and they must have recourse to lamps or gas. The light should always be suspended above the table, except, of course, where candles and candelabra or a tall-stemmed lamp are used. A side-light does not serve the purpose of a central one, for some one must always sit with his back towards it, and his plate is thus in a perpetual eclipse. Pretty hanging lamps come at all prices, but it never pays to get a cheap one. It may do very well for a time, but before long the burner will be out of order; the machinery by which the wick is turned up or down will prove refractory, and repairs will do little good. The only efficient way of mending a poor lamp is by buying a new one.

Among the best-known makes of lamps there is one with a powerful burner which gives a clear, steady flame, equal to two or three ordinary gas-jets. The only draw-back connected with it is the intense heat it radiates, which makes it objectionable in summer. Such a lamp costs about seven dollars, is furnished with a large ground-glass shade, and supplied with fixtures and a chain, by means of which it may be raised and lowered at pleasure.

Whichever is used, gas or kerosene, the glare should always be softened by a shade of some kind. Globes of ground or colored glass may be used on gas-burners, or, if they are of clear glass, the light may be subdued by the Japanese half-shades, which can be slipped over the lower half of the globe. A pretty fashion is that of fastening a Japanese umbrella, stick upwards, under the chandelier, although this darkens the table too much, unless there is a strong light above it. If any member of the family suffers from weak eyes, and is distressed by the light that is none too brilliant for the others, quaint paper-screen shades, also of Japanese make, may be hung on the side of the globe towards the sufferer. The long pliable wires attached to these shades permit them to be twisted at almost any angle. Or the fancy paper screens which imitate roses, pond-lilies, sunflowers, and the like may be hung on the globes.

There has been a good deal of discussion among furnishers as to what style of picture should be hung in a dining-room. One declares that the stereotyped paintings and engravings of fruit, fish, and fowl are the only appropriate works of art for this room; while another argues that it is enough to see the food in its prepared condition upon the table, without being forced to contemplate it in its natural state upon the walls. The wise course to follow seems to lie between the two. Really pretty pictures of game birds or fish, or of fruit or flowers, are undoubtedly in their place in a dining-room, but there is no reason why every other kind of picture should be excluded. Pastoral or marine scenes, genre pictures, almost anything except family portraits, may fitly be placed there. Their place is in the library, the sitting-room, or in the large hall, if there be one.

Nothing should hang in the dining-room that is not good of its kind. A cheap chromo, a poorly executed drawing or water-color, or an indifferent photograph annoys beyond words the unfortunate wight who has to sit opposite it for an hour or two each day.

The furniture of a dining-room should be durable, even if its owners cannot afford to have it very handsome. Cheap chairs and table are out of place here. Even those who cannot afford leather-upholstered chairs and a heavy mahogany or black-walnut or oak dining-table may get solid, durable substitutes. Cane seats for the chairs, and an unpolished top for the table, are better than showy—and cheap—elegance. A square table generally allows more space to those seated about it than does a round one. Almost any amount of money may be expended upon a sideboard, but a good one may be purchased at no great outlay. In addition to this, if space permits, there should be a table, with a shelf or two above it, to serve as a dinner-wagon. This is almost a necessity when the vegetables are passed instead of being placed on the table, and it is also useful for holding relays of clean plates, etc.

The amount of furniture that is useful and appropriate in a dining-room is of necessity limited. Besides the articles already named, there may be a china press or cabinet, an easy-chair or two, or even a sofa. The last is a boon to an invalid or convalescent, who grows weary of a long séance in a high, straight-backed chair. The couch may be forced to serve a double purpose by being made in the form of a long box, broad and low, covered with cretonne, denim, or any other durable material, and provided with a hair mattress on the top. When two or three square pillows are added to this, behold a comfortable divan, that will at the same time be a receptacle for the table-linen. Some such coffer as this is almost a must-have in a dining-room, unless the china closet is provided with drawers.

A wall cabinet for choice pieces of china is a pretty ornament for a dining-room, and so is an over-mantel. The latter may consist of two, three, or more shelves, and should be solid at the back, as small hooks may then be screwed in, upon which to hang tea or coffee cups. These shelves may extend the full length of the mantel, or occupy only part of the space. In any case they are excellent for displaying such pieces of china as one may not wish to keep concealed in the depths of a china closet. Nothing very delicate that will be injured by dust should stand here.