142 ([return])
[ Enter FRIAR JACOMO: The scene is now before Barabas's house,—the audience having had to SUPPOSE that the body of Barnardine, which Ithamore had set upright, was standing outside the door.]
143 ([return])
[ proceed: Seems to be used here as equivalent to—succeed.]
144 ([return])
[ on's: i.e. of his.]
145 ([return])
[ Enter BELLAMIRA, &c.: The scene, as in p. 160, a veranda or open portico of Bellamira's house.
(p. 160, this play:)
" Enter BELLAMIRA. (91)
BELLAMIRA. Since this town was besieg'd," etc.]