"Quite right," we said; "be wary." And we laid hand firmly on the fine hemorrhage of the grape.

A little later in the adventure, when we were asked what dessert we would have, we found stewed rhubarb on the menu, and very fine stewed rhubarb it was; wherefore we say that our time was not ill-spent and we shall keep the secret to ourself.

But we can't help feeling grateful to Mr. Bennett, whoever he is.


Occasionally (but not often) in the exciting plexus of our affairs (conducted, as we try to persuade ourself, with so judicious a jointure of caution and hilarity) we find it necessary to remain in town for dinner. Then, and particularly in spring evenings, we are moved and exhilarated by that spectacle that never loses its enchantment, the golden beauty and glamour of downtown New York after the homeward ebb has left the streets quiet and lonely. By six o'clock in a May sunset the office is a cloister of delicious peace and solitude. Let us suppose (oh, a case merely hypothetic) that you have got to attend a dinner somewhere in the Forties, say at half-past seven; and it is requisite that evening clothes should be worn. You have brought them to the office, modestly hidden, in a bag; and in that almost unbelievable privacy, toward half-past six, you have an enjoyable half hour of luxurious amusement and contemplation. The office, one repeats, is completely stripped of tenants—save perhaps an occasional grumbling sortie by the veteran janitor. So all its resources are open for you to use as boudoir. Now, in an office situated like this there is, at sunset time, a variety of scenic richness to be contemplated. From the President's office (putting on one's hard-boiled shirt) one can look down upon St. Paul's churchyard, lying a pool of pale blue shadow in the rising dusk. From the City Room (inserting studs) one sees the river sheeted with light. From the office of the Literary Editor (lacing up one's shoes) one may study the wild pinnacle of Woolworth, faintly superfused with a brightness of gold and pink. From the office of one of our dramatic critics the view is negligible (being but a hardy brick wall), but the critic, debonair creature, has a small mirror of his own, so there one manages the ticklish business of the cravat. And from our own kennel, where are transacted the last touches (transfer of pipe, tobacco, matches, Long Island railroad timetable, commutation ticket, etc., to the other pockets) there is a heavenly purview of those tall cliffs of lower Broadway, nobly terraced into the soft, translucent sky. In that exquisite clarity and sharpness of New York's evening light are a loveliness and a gallantry hardly to be endured. At seven o'clock of a May evening it is poetry unspeakable. O magnificent city (one says), there will come a day when others will worship and celebrate your mystery; and when not one of them will know or care how much I loved you. But these words, obscure and perishable, I leave you as a testimony that I also understood.

She cannot be merely the cruel Babel they like to describe her: the sunset light would not gild her so tenderly.


It was a great relief to us yesterday evening to see a man reading a book in the subway. We have undergone so many embarrassments trying to make out the titles of the books the ladies read, without running afoul of the Traveller's Aid Society, that we heaved a sigh of relief and proceeded to stalk our quarry with a light heart. Let us explain that on a crowded train it is not such an easy task. You see your victim at the other end of the car. First you have to buffet your way until you get next to him. Then, just as you think you are in a position to do a little careful snooping, he innocently shifts the book to the other hand. This means you have got to navigate, somehow, toward the hang-handle on the other side of him. Very well. By the time the train gets to Bowling Green we have seen that it is a fattish book, bound in green cloth, and the author's name begins with FRAN. That doesn't help much. As the train roars under the river you manage, by leanings and twistings, to see the publisher's name—in this case, Longmans. At Borough Hall a number of passengers get out, and the hunted reader sits down. Ten to one he will hold the book in such a way that you cannot see the title. At Nevins Street you get a seat beside him. At Atlantic Avenue, as he is getting off, you propose your head over his shoulder in the jam on the stairs and see what you are after. "Lychgate Hall," by M.E. Francis. And in this case, success left us none the wiser.

Atlantic Avenue, by the way, always seems to us an ideal place for the beginning of a detective story. (Speaking of that, a very jolly article in this month's Bookman, called "How Old Is Sherlock Holmes?" has revived our old ambition to own a complete set of all the Sherlock Holmes tales, and we are going to set about scouring the town for them). Every time we pass through the Atlantic Avenue maelstrom, which is twelve times a week, we see, as plain as print, the beginning of two magazine tales.

One begins as the passengers are streaming through the gate toward the 5:27 train. There is a very beautiful damsel who always sits on the left-hand side of the next to last car, by an open window. On her plump and comely white hand, which holds the latest issue of a motion picture magazine, is a sparkling diamond ring. Suddenly all the lights in the train go out. Through the open window comes a brutal grasp which wrenches the bauble from her finger. There are screams, etc., etc. When the lights go on again, of course there is no sign of the criminal. Five minutes later, Mr. Geoffrey Dartmouth, enjoying a chocolate ice cream soda in the little soft-drink alcove at the corner of the station, is astonished to find a gold ring, the stone missing, at the bottom of his paper soda container.