“I begged him to give it up,” she said, quietly. “He said that no one but the author could take him out of this part. I wish the author would.—Oh, I don't know what to wish! Morgan's making himself ill fighting against Fagan.”
We walked across Fortieth Street together, and I escorted her as far as a Fifth Avenue bus. As we waited for the bus she said:
“You'll probably see him to-night. Tell him about rehearsal to-morrow, ten o'clock. He had gone before I could speak to him. You see, he's not himself. We were to have taken supper together.”
She added something that I have never forgotten:
“The worst tragedy in the world is when lovely things get in the hands of people who don't understand them. If you see Mr. Sampson, you might tell him that. Some day he may write another play.”
When I got up to Seventy-third Street I tapped at Edwards's door. He was at his table, writing. I had intended to ask him to take dinner with me, thinking that perhaps I could help him, but his manner showed plainly that he wanted to be alone. If I had been an old friend of his, perhaps I could have done something; but I did not feel I knew him well enough to force myself upon his mood.
“Fagan sent you word, rehearsal to-morrow at ten,” I said. “It sounds to me like an apology.”
He looked at me steadily.
“You were there to-day? You will understand a little, then.”
“I understand that Fagan is a ruffian.”