There is a third-rate club in London called the Litterateurs' Club. A few years ago it was in urgent need of funds, and a brilliant idea struck the managing committee. Every writer listed in the American “Who's Who” was circularized and received a very flattering letter saying that, owing to the distinction of his contributions to contemporary letters, the Litterateurs' Club of London would be very much pleased to welcome him as a member, upon a nominal payment of five guineas. About seven hundred guileless persons complied, and transatlantic travel became appreciably denser on account of these men of letters crossing to England to revel in their importance as members of a club of which no one in London has ever heard. And by some fluke the managing committee had got hold of the name of Lester Valiant, then at Oxford—perhaps because he had once published a story in the Cantharides Magazine. Probably they bought a mailing list from some firm in Tottenham Court Road.

Cecil Rhodes's executors paid his five guineas, and he had his cards engraved:

LESTER G. P. VALIANT

The Litterateurs' Club, London

The use of these pasteboards brought him ready entrée in the offices of New York publishers. If he had not been so eager to impress the gentlemen he interviewed with his literary connoisseurship, undoubtedly he would have landed a job much sooner. But publishers are justly suspicious of anything that savours of literature, and Lester's innocent allusions to George Moore and Chelsea did much to alarm them. At length, however, Mr. Arundel, the president of the Arundel Company, took pity on the young man and gave him a desk in his editorial department and fifteen dollars a week. Mr. Arundel had once walked through the quadrangle of Balliol, and he was not disposed to be too severe toward Lester's naïve mannerisms.

To his amazement and dismay, Lester found his occupation not even faintly flavoured with literature. He was set to work writing press notes about authors of whom he had never heard at Oxford and whose books he soon discovered to be amateurish or worse. He had been nourishing himself upon the English conception of a publisher's office: a quaint, dingy rookery somewhere in Clifford's Inn, where gentlemen in spats and monocles discuss, over cups of tea and platters of anchovy toast, realism and the latest freak of the Spasmodists.

The Arundel office was a wilderness of light walnut desks and filing cases, throbbing with typewriters, adding machines, and hoarse cries from the shipping room at the rear. Here sat Lester, gloomily writing blurbs for literary editors, and wondering how long it would be before he would earn forty dollars a week. He reckoned that was what one ought to get before incurring matrimony.


Like all young men of twenty-three, Lester thought a good deal about marriage, although he had not yet chosen his quarry. The feeling that he could marry almost anybody was delicious to him. But this heavenly eclecticism endures such a short time! For youth abhors generalities and seeks the concrete instance. Also, much reading of George Moore sets the mind brooding on these things. Lester used to stroll in Madison Square at dusk before going back to his room, and his visions were often of a dark-panelled apartment in the Gramercy Park neighbourhood where an open fire would be burning and someone sitting in silk stockings to endear him as he returned from the office.

His arrival caused something of an upheaval in the placid breasts of the two old college friends whose sitting room he shared on Madison Avenue. They were sturdy and steady creatures, more familiar with Edward Earle Purinton and Orison Swett Marden than with Swinburne and Crackanthorpe and Mallarmé. To his secret annoyance, Lester learned that both Jack Hulbert and Harry Hanover were earning more than thirty dollars a week, and he even had an uneasy suspicion that they were saving some of it. When he spoke about Beardsley or Will Rothenstein or the Grafton Galleries they were apt to turn the talk upon Ty Cobb and Tris Speaker. When he showed them his greatest treasure, a plaster life mask of himself that a sculpturing friend in Chelsea had made, they were frankly ribald. Jack was in the circulation department of a popular magazine, and Harry performed some unexplained tasks in the office of a tea importer. Lester was fond of them both, but it seemed to him a bitter travesty that these simple-minded Philistines should possess so much higher earning power than he. So he thought of taking a garret in Greenwich Village, but in the Madison Avenue house he was sharing a big sitting room at little expense. So he spread his books about, hung up his framed letter from Przybyszewski, put his hammered brass tea caddy on the reading table, and made the best of the situation.