Here you may see the essential distinction between literature and journalism. For journalism was devised to hurry life on even faster, to give the already whirling wheel an insane accelerating fillip. Journalism is, actually, a pastime; literature, a stoptime. I refer, of course, not to the journalism of facts, which is a department of government rather than of letters; but to the journalism of fancy. In great books life (however troubled and violent in itself) stands pure and unvexed, unfretted by time and interruption.
There are many schools of journalism; for journalism, being only a hasty knack, can readily be taught. There are no schools of literature, for that is born in your own hearts only, and by manifold joys and disgusts. If it is in you, you shall know; the disease will grow more and more potent. If it is in you, you shall be dedicated to misery unguessed by the easy minds beside you. A great poet spoke of hovering between two worlds, one dead, one powerless to be born. That shall be your mental lot. You shall realize, more and more, that the bustling cheery life of the general is, in some seizures, dead to your spirit: and yet that new brave world of imagination, which travails in your heart, can never quite come to paper. Would you know the mood and emotion that move behind literature, read Arnold’s Scholar Gipsy. I love journalism and honour it; but it must be added that it inhabits a different world from literature, and does not even faintly understand the language that literature speaks.
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HOBBES
There are some famous books which are the delight of scholars but hardly at all known to the amateur reader. Of such, we think of Thomas Hobbes’ Leviathan. It is so nobly sagacious and entertaining that with a little trouble spent on rephrasing his stuff and giving it snappy captions we could probably sell it to a long chain of newspapers and enter into competition with the Syndicated Spinozas who prey upon the public appetite for aphorisms.
Hobbes’ wisdom is of the shrewd and nipping sort. If we had to choose but one passage, to show a seventeenth-century mind at its best, we should pluck his remarks on Laughter—famous indeed, but probably little known to casual readers. See the clear stream of the mind flowing in a channel of granite prose:—
Sudden glory is the passion which maketh those grimaces called laughter; and is caused either by some sudden act of their own that pleaseth them, or by the apprehension of some deformed thing in another by comparison whereof they suddenly applaud themselves. And it is incident most to them that are conscious of the fewest abilities in themselves: who are forced to keep themselves in their own favour by observing the imperfections of other men. And therefore much laughter at the defects of others is a sign of pusillanimity. For of great minds one of the proper works is to help and free others from scorn, and compare themselves only with the most able.
On the contrary, sudden dejection is the passion that causeth weeping, and is caused by such accidents as suddenly take away some vehement hope or some prop of their power; and they are most subject to it that rely principally on helps external, such as are women and children. Therefore some weep for the loss of friends, others for their unkindness, others for the sudden stop made to their thoughts of revenge by reconciliation. But in all cases, both laughter and weeping are sudden motions, custom taking them both away. For no man laughs at old jests, or weeps for an old calamity.
The vain-glory which consisteth in the feigning or supposing of abilities in ourselves which we know are not is most incident to young men, and nourished by the histories or fictions of gallant persons, and is corrected oftentimes by age and employment.
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