“What do you make of it?” asked Rathbone, still blatantly indifferent. “I picked it up this morning—for my daughter. Supposed to be Chelsea—should you say it was?”
If the answer had been in the negative the private acquaintance between chief and subordinate would probably have made no further progress; no man, even when he makes use of it, is grateful for the superior knowledge in a junior that convicts him to his face of gullibility. As it was, the verdict was favourable and Rathbone, in the relief of finding that he had not blundered, grew suddenly friendly—to the point of a dinner invitation; which was given, in part, as instinctive thanks for restored self-esteem, in part because it might interest Phillida to meet a young man who took gimcracks as gravely as herself. The invitation, as a matter of course, was accepted; and three days later Savage met Phillida Rathbone.
“I’ve asked a young fellow you’re sure to get on with”—so Rathbone had informed his daughter; who, thereupon, as later she confessed to Theodore, had made up her mind to be bored. She threw away her prejudice swiftly when she found the new acquaintance talked music with intelligence—she herself had music in her brain as well as in her finger-tips—while he from the beginning was attracted by a daintiness of manner and movement that puzzled him in Rathbone’s daughter.... From that first night he must have been drawn to her, since the evening remained to him clear in every detail; always in the hollow of a glowing fire he could summon up Phillida, himself and Rathbone, sitting, the three of them, round the table with its silver and tall roses.... In the centre a branching cluster of roses—all yellow, like Phillida’s dress.... Rathbone, for the most part, good-naturedly silent, Phillida and himself talking swiftly.... In shaded light and a solid, pleasant comfort; ordinary comfort, which he took for granted as an element of daily life, but which yet was the heritage of many generations, the product of long centuries of striving and cunning invention.... Later, in the drawing-room, the girl made music—and he saw himself listening from his corner of the sofa with a cigarette, unlit, between his fingers. Above all it was her quality of daintiness that pleased him; she was a porcelain girl, with something of the grace that he associated with the eighteenth century....
After half an hour that was sheer content to Theodore she broke off from her playing to sit on the arm of her father’s chair and ruffle his grey hair caressingly.
“Old man, does my noise on the piano prevent you from reading your paper?”
Whereat Rathbone laughed and returned the caress; and Phillida explained, for the visitor’s benefit, that the poor dear didn’t know one tune from another and must have been bored beyond measure—by piano noises since they came upstairs and nothing but music-talk at dinner.
“I believe we’ve driven him to the Montagu divorce case,” she announced, looking over his shoulder. “‘Housemaid cross-examined—the Colonel’s visits.’ Daddy, have you fallen to that?”
“No, minx,” he rebuked her, “I haven’t. I’m not troubling to wade through the housemaid’s evidence for the very good reason that it’s quite unnecessary. I shall hear all about it from you.”
“That’s a nasty one,” Phillida commented, rubbing her cheek against her father’s. She turned the paper idly, reading out the headlines. “‘American elections—Surprises at Newmarket—Bank Rate’—There doesn’t seem much news except the housemaid and the colonel, does there?”
Rathbone laughed as he pinched her cheek and pointed—to a headline here and a headline there, to a cloud that was not yet the size of a man’s hand.