ILLUSTRATIONS.

PAGE
[Murillo.—Guardian Angel][Frontispiece]
[Perugino.—A Six-winged Cherub (from the Assumption of the Virgin)][21]
[Fra Angelico.—A Glory of Angels][29]
[Fra Angelico.—An Angel of the Tabernacle][37]
[Francesco Albani.—The Child Jesus with Angels][43]
[Raphael.—The Archangel Michael casting Satan out of Heaven][53]
[Guido Reni.—The Archangel Michael overpowering Satan][63]
[H. Mücke.—The Translation of St. Catherine of Alexandria][71]
[Fra Filippo Lippi.—The Annunciation of the Death of the Virgin Mary][79]
[Fra Filippo Lippi.—A Divided Annunciation][89]
[Alessandro Allori.—The Annunciation][95]
[Fra Angelico.—The Annunciation][101]
[Andrea del Sarto.—The Archangel Raphael conducting the young Tobias][111]
[Giovanni Biliverti.—The Archangel Raphael refusing the Gifts of Tobias][117]
[Sandro Botticelli.—The Archangel Raphael (from a picture of Tobias and the three Archangels)][123]
[Fra Angelico.—Angel Choristers][137]
[Kaulbach.—The Angel of Peace][141]
[Perugino.—Musical Angels][147]
[Francesco Granacci.—Angels in Adoration][153]
[Il Sodoma.—The Sacrifice of Abraham][161]
[Melozzo da Forli.—An Angel][173]
[Ary Scheffer.—The Temptation of Christ][181]
[Sir Edward Burne-Jones.—Mary Magdalene at the Sepulchre][187]
[Fra Angelico.—An Angel conducting a Soul to Heaven][195]
[Fra Bartolommeo.—An Angel playing the Violin][201]
[Lorenzo di Credi.—An Angel in Adoration][205]
[French.—Death staying the Hand of the Sculptor][211]
[Rossetti.—The Annunciation][221]
[Francesco Granacci.—The Virgin and Angels][225]
[Francesco Francia.—A Pietà][233]
[Murillo.—The Immaculate Conception][237]
[Sandro Botticelli.—Madonna and Angels][243]
[Van Dyck.—The Repose in Egypt][251]
[Titian.—The Assumption of the Virgin][255]

ANGELS IN ART.

CHAPTER I.
INTRODUCTORY.

NGELS and archangels, cherubim and seraphim, and all the glorious hosts of heaven were a fruitful source of inspiration to the oldest painters and sculptors whose works are known to us, while the artists of our more practical, less dreamful age are, from time to time, inspired to reproduce their conceptions of the guardian angels of our race.

The Almighty declared to Job that the creation of the world was welcomed with shouts of joy by “all the sons of God,” and the story of the words and works of the angels written in the Scriptures—from the placing of the cherubim at the east of the Garden of Eden, to the worship of the angel by John, in the last chapter of Revelation—presents them to us as heavenly guides, consolers, protectors, and reprovers of human beings.