A portrait painter whose pictures are in private hands. They have been exhibited in Paris, London, Naples, New York, Philadelphia, and Boston.
Mrs. Houston writes me: "I have not painted many pictures of late years, but always something for exhibition every year." She first exhibited at Paris Salon in 1889, in London Academy in 1890, and annually sends her portraits to the Boston, New York, and Philadelphia Exhibitions.
Hoxie, Vinnie Ream. Born in Madison, Wisconsin, 1847. This sculptor was but fifteen years old when she was commissioned to make a life-size statue of Abraham Lincoln, who sat for his bust; her completed statue of him is in the rotunda of the Capitol at Washington. Congress then gave her the commission for the heroic statue of Admiral Farragut, now in Farragut Square, Washington. These are the only two statues that the United States Government has ordered of a woman.
This artist has executed ideal statues and several bust portraits of distinguished men. Of these the bust of Ezra Cornell is at Cornell University; that of Mayor Powell in the City Hall of Brooklyn, etc.
Hudson, Grace. Gold medal at Hopkins Institute, San Francisco; silver medal at Preliminary World's Fair Exhibition of Pacific States; and medals and honorable mention at several California State exhibitions. Born in Potter Valley, California. Studied at Hopkins Art Institute, San Francisco, under Virgil Williams and Oscar Kunath.
Paints genre subjects, some of which are "Captain John," in National Museum; "Laughing Child," in C. P. Huntington Collection; "Who Comes?" in private hands in Denver, etc.
Mrs. Hudson's pictures of Indians, the Pomas especially, are very interesting, although when one sees the living article one wonders how a picture of him, conscientiously painted and truthful in detail, can be so little repulsive—or, in fact, not repulsive at all. At all events, Mrs. Hudson has no worthy rival in painting California Indians. If we do not sympathize with her choice of subjects, we are compelled to acknowledge that her pictures are full of interest and emphasize the power of this artist in keeping them above a wearisome commonplace.
Her Indian children are attractive, we must admit, and her "Poma Bride," seated in the midst of the baskets that are her dower, is a picture which curiously attracts and holds the attention. Her compositions are simple, and it can only be a rare skill in their treatment that gives them the value that is generally accorded them by critics, who, while approving them, are all the time conscious of surprise at themselves for doing so, and of an unanswered Why? which persists in presenting itself to their thought when seeing or thinking of these pictures.
Hulbert, Mrs. Katherine Allmond. Born in Sacramento Valley, California. Pupil of the San Francisco School of Design under Virgil Williams; National Academy of Design, New York, under Charles Noel Flagg; Artist Artisan Institute, New York, under John Ward Stimson.
This artist paints in water-colors and her works are much admired. Among the most important are "The Stream, South Egremont," which is in a private gallery in Denver; "In the Woods" belongs to Mr. Whiting, of Great Barrington; and "Sunlight and Shadow" to Mr. Benedict, Albany, New York.