Her pictures are principally of domestic scenes, child-life, and other genre subjects. "Battledore and Shuttlecock" is an interior, with a graceful girl playing the game, to the amusement of a young child sitting on a nurse's lap. The room is attractive, the accessories well painted, and a second girl just coming through the door and turning her eyes up to the shuttlecock is an interesting figure.
Of quite a different character is the picture called "In Winter." The landscape is very attractive. In a sled, well wrapped up, is a little girl, with a doll on her lap; the older boy—brother?—who pushes the sled from behind, leaning over the child, does his part with a will, and the dignified and serious expression on the face of the little girl in the sled indicates her sense of responsibility in the care of the doll as well as a feeling of deep satisfaction in her enjoyable outing.
Among the more important pictures by Lady Alma-Tadema are "Hush-a-Bye," "Parting," in the Art Gallery at Adelaide, New South Wales, "Silent Persuasion," "The Carol," and "Satisfaction." Her picture in the Academy Exhibition, 1903, a Dutch interior with a young mother nursing "The Firstborn," was much admired and was in harmony with the verse,
Lie on mother's knee, my own,
Dance your heels about me!
Apples leave the tree, my own.
Soon you'll live without me."
Amen, Madame J. Honorable mention, Paris, 1901.
[No reply to circular.]
Anguisciola, Lucia. A pupil of her sister Sofonisba, painted a life-size portrait of Piermaria, a physician of Cremona. It is in the gallery of the Prado, Madrid, and is signed, "Lucia Angvisola Amilcares. F. Adolescens."