He stood up and shook himself vigorously: “I must have been dreaming; this wind is uncomfortably cold,” he said, with a shiver.
He went in, and lighted the candle; he built a fire which leaped and flared up the broad-mouthed fireplace, throwing jolly, fantastic shadows over the great room, much more suggestive of the play of elfins than the gloomy walking of ghosts. He sat drowsily looking into the coals; the fire had burned low, and the room was in half shadow, with a fitful lighting up now and then; a cold wind struck him, and he seemed impelled by some unseen force to look toward the bed; the battered hat appeared to be rising of its own volition above the tall post, and the face of a man fitted itself beneath it; a cruel face; the white brow beetling over deep set, piercing eyes; the jaw massive and square; the lips thin, a mere line across the resolute face; the whole countenance imbued with a strange fierce beauty; a man who would allow nothing to stand in the way of his will. Phil started up with a gasp of terror; he felt suffocated.
“Great God! Is this place haunted, or have I a bad case of nightmare?” he exclaimed aloud.
He could have sworn that he heard a laugh, shrill and blood curdling; but perhaps it was but the wind among the gnarled apple trees—our imagination plays us strange tricks, and the furnishings and appearance of a room have disastrous effect upon our nerves at times.
He slept but fitfully the whole night, although nothing more occurred to alarm him, and with the coming of the morning sun he thought it all a dream.
After he had his breakfast he took his easel out upon the porch; he felt ashamed of the wasted hours which lay behind him, and determined to be more diligent; he placed his board, took his pencil in his hand—and sat staring straight before him. He sought vainly for an inspiration; his brain seemed empty, imagination dead. But one object rose before his mental vision—the face he had seen under the old hat!
He felt tempted to throw pencils and board in among the weeds. He left the easel standing, and went for a long walk; while walking his imagination leaped responsive to his desire; he outlined his work, and hastened back eager to commence; but as he once more seated himself, the same tormenting sense of inability assailed him; the same terrifying face came ever between him and the board.
With an angry exclamation he commenced sketching; at once he lost all feeling of uncertainty; he worked feverishly, and line by line the face grew before him; he seemed inspired by some power other than his own; a mole in front of the ear, a dimple in the chin, which he did not remember having seen, grew under his hand. A face of strange beauty, but from every lineament shone forth a fierce unconquerable nature, and at last, as the light was fading, he threw down his pencil and stepped back to look at it; he saw the ghostly counterpart hovering just above it; he gave utterance to a frightened exclamation; then said angrily: “I’ve looked so steadily at that thing, that I see double; I’ll take a run and rest myself.”
So he carried everything within, and took his way to the lone farmhouse visible in the distance; he found the place occupied by an elderly couple. After some desultory talk, he questioned the woman about the old house and its former occupants; she, nothing averse, told him the following story:
The house was built long before her birth, by a strange, foreign looking man, who, although he appeared to be wealthy, lived the life of a recluse. He suddenly disappeared, and what became of him no one ever knew; the estate was finally sold by the courts, and John Hilyer, then a young man, and just married to pretty, winsome Rachel Drew, bought the place, and came there to live.