He had different sets of hangings made, divan covers, cushions, et cetera, easily removed and placed in a box couch, so that his pupils sometimes found a purple studio, sometimes a crimson, sometimes one in luminous gold. None knew beforehand in which mood the wonderful young maestro would be found; and they talked of him with bated breath.

His sister took the liberty, early in his career, of laughing at this ebullition of fancy, but she soon found that Edgar took himself seriously, and she repressed her smiles; for nothing succeeds like success; and Edgar Van Ruysler Fabian was an idol whom it was not her place to knock from his pedestal.

Violet Manning meanwhile was industriously proceeding with her own teaching. As some of it lay in fashionable schools, she heard echoes of Edgar's popularity, and she and her housemates often attended the church where he sang. He came to their apartment occasionally and relaxed from the strain of living up to the ideal of his admirers whom he terrorized grandly at moments, after the most approved Mazzini methods.

Once he had the three bachelor maids at a chafing-dish supper at his studio. He was in a red mood that night, and the crimson hangings reminded Violet of the glowing heart which always lay on her dressing-table.

The function was an informal and jolly one. One of the men present was Edgar's accompanist, and he had played for Violet to dance. It was a triumphant occasion for the girl. She looked charming in a thin iridescent gown which changed with the blues and greens of the sea while she floated and pirouetted, as light and tireless as thistledown. Edgar's eyes were bright with pride in her and she was wildly applauded, sharing the honors of the evening with him.

Edgar sang the better for the inspiration of her, and when at her request he began, "O moon of my delight," she closed her eyes, shutting out the gay company and the diffused rosy light. Again she saw him stretched on the grass in the silvery radiance of a still, still night.

"I think Mr. Fabian is in love with Violet," said Regina afterward, privately, to Roxana.

"I think he is in love with himself," returned Roxana; "and I take off my hat to Violet, for I believe she knows it, too. I'm afraid if I were her age and he wanted me, I'd marry him even if I knew he'd beat me all the time he wasn't singing."

Her housemates noticed that Violet never spoke of Edgar, and they drew their conclusions. She had a sketch of his head done by Phil in an idle moment, pinned up on her wall. That and the bonbon box were the only evidences of the acquaintance save those occasional calls with which Edgar favored the apartment. The fact that he came at all was important, for his engagements were legion.

Philip carried himself much as he had done the winter before. Through the Fabians and Mr. Tremaine he began to have invitations, but he declined them. Mr. Tremaine bought the painting of the wave which he had seen at the island, and one of his friends bought another of Phil's marines.