CHAPTER XXI
SEEKING REFUGE FROM THE STORM
The first appearance of the new Juliet was but one week off. Sybil had spent the last fortnight with Mrs. Van Camp, and some very hard work had been done in the quaint old drawing-room, for be it known there are few more difficult undertakings than the proper coaching of an inexperienced girl for the playing of a great part.
The actress who has made her way gradually acquires, all unconsciously, a hundred nameless graces, little tricks of manner, movement or expression, poses, poises, flutterings, the turn of the head or the glance of the eye, and all seem so natural, so spontaneous; but try to teach them to a novice and both coach and pupil will find their work cut out for them.
The process is an unnatural one, and the result is a forced blossom, that, however brilliantly beautiful, has a frail exotic air that makes even admirers wonder if the plant has sufficient strength ever to bloom again.
Stewart Thrall knew perfectly what drudgery coaching meant, and perversely told himself, up to the very last moment, that he should send, in a day or two, to-morrow, next day, for "Mother Mordaunt" (whose home was irreverently termed "The Hatchery," because of the numbers of amateurs she ever had in training there), and place the Crown Princess in her hands, "for drill, tuition, and discipline," and with insidious self-deception he went so far as to write a note to summon her. Then he caught at the word "drill" to hang his changed opinion on. He did not want her "drilled" out of all the bright spontaneity that was in her now; and, come to think of it, all Mrs. Mordaunt's pupils were trained to the same pattern—they were merely weak copies of herself. He believed, after all, he would undertake the task himself, and he tore to bits the note summoning Mrs. Mordaunt, and wrote instead that line to Sybil, which had caused her so much surprised gratitude, and then remarked casually to Jim Roberts, who sat in the private office with him and carefully polished the metalled gauntlets that belonged to a coat of mail: "I don't know but what young Fitzallen is too inexperienced to do Romeo with a green-girl Juliet. It's rather too great a risk. Maybe I had better go on for it myself, though I suppose I'll scarcely look the part now, even in some new and youthful toggery?"
Roberts looked up from his task, with a queer expression of blended admiration and anger on his face, and answered: "You'll look the part all right, just as well as you ever did, but—what's the use of trying to deceive yourself, for you wouldn't condescend to try to deceive me surely. You know well enough that as long ago as when you telegraphed me to bring Miss Lawton back from the West you had already decided to play Romeo to her Juliet, and I knew it as well as you did, so what's the use?"
"Indeed! Why, you are becoming clairvoyant! Isn't that what they call the fellow who lies about seeing things that have never occurred? Jim, you're off your base!"
"Easy, Thrall!" answered Roberts, in a low tone. "A sneer more or less doesn't matter much, but we will draw the line at 'lying!' And if I'm off my base no one knows why better than you do!"