Then, suddenly, she began to expect another visitor—a wee visitor, whom we hoped would remain permanently, and, goodness mercy! I nearly lost my reputation through the chambermaid finding in my work-basket some half-embroidered, tiny, tiny jackets. Whereupon she announced to the servants, in full assembly, that I had too soft a tongue, and was deeper than the sea, but she had her eyes open, and, judging from what she found in my work-basket, I was either going to buy a monkey for a pet, or I had thrown away my character completely.
Mrs. Ogden was with me when the landlady, stony-eyed and rattling with starch and rectitude, came to inquire into the contents of my work-basket. Her call was brief, but satisfactory, and shortly after her exit we heard her, at the top of her lungs, giving me a clean bill of health—morally speaking—and denouncing the prying curiosity of the maids. But we had had a scare, and Mollie implored me either not to help her any more or to lock up my work-basket.
"Oh, no," I said, "I'll rest my head upon the chambermaid's breast and confide all my intentions to her, then surely my character will be safe."
However, when the wee stranger arrived, she might well have wondered whom she belonged to. At all events she "goo-gooed and gurgled," and smiled her funny three-cornered smile at me as readily as at her mother, and my friendly rights in her were so far recognized by others that questions about her were often put to me in her mother's very presence, who laughingly declared that only in bed with the light out did she feel absolutely sure that the baby was hers.
Mollie used to say the only really foolish thing she ever caught me in was "Protestantism." It was a great grief to us all that I could not be godmother, but though baby had a Protestant father, the Church flatly refused to wink at a godmother of that forsaken race.
When, in God's good time, a tiny sister came to baby, she was called Clara, but my friend had made a solemn vow before the altar, at the ripe age of seven years, to name her first child Genevieve, and she, to quote her husband, "being a Roman Catholic as well as a little idiot," faithfully kept her vow, and our partnership's baby was loaded up with a name that each year proved more unsuitable, for a more un-Genevieve-like Genevieve never lived. All of which goes to prove how unwise it is to assume family cares and duties before the arrival of the family.
Miss Lucille Western was playing an engagement in Cleveland when "our baby" was a few months old. My friend and I were both her ardent admirers. I don't know why it has arisen, this fashion to sneer more or less openly at Miss Western's work. If a woman who charms the eye can also thrill you, repel you, touch you to tears, provoke you to laughter by her acting, she surely merits the term "great actress." Well, now, who can deny that she did all these things? Why else did the people pack her houses season after season? It was not her looks, for if the perfect and unblemished beauty of her lovely sister Helen could not draw a big house, what could you expect from the inspired irregularity of Lucille's face? How alive she was! She was not quite tall enough for the amount of fine firm flesh her frame then carried—but she laced, and she was grace personified.
She was a born actress; she knew nothing else in all the world. There is a certain tang of wildness in all things natural. Dear gods! Think what the wild strawberry loses in cultivation! Half the fascination of the adorable Jacqueminot rose comes from the wild scent of thorn and earth plainly underlying the rose attar above. And this actress, with all her lack of polish, knew how to interpret a woman's heart, even if she missed her best manner. For in all she did there was just a touch of extravagance—a hint of lawless, unrestrained passion. There was something tropical about her, she always suggested the scarlet tanager, the jeweled dragon-fly, the pomegranate flower, or the scentless splendor of our wild marshmallow.
In "Lucretia Borgia" she presented the most perfect picture of opulent, insolent beauty that I ever saw, while her "Leah, the Forsaken" was absolutely Hebraic; and in the first scene, where she was pursued and brought to bay by the Christian mob, her attitude, as she silently eyed her foes, her face filled both with wild terror and fierce contempt, was a thing to thrill any audience, and always received hearty applause.
So far as looks went, she was seen to least advantage in her greatest money-maker, "East Lynne." Oh, dear! oh, dear! the tears that were shed over that dreadful play, and how many I contributed myself! I would stand looking on from the entrance, after my short part was over, and when she cried out: "Oh, why don't I die! My God! why don't I die?" I would lay my head against the nearest scene and simply howl like a broken-hearted young puppy. I couldn't help it, neither could those in front help weeping—more decorously perhaps, because they were older and had their good clothes on.