She laughed at his absent-mindedness; it was getting worse and worse. But what was he thinking of? Business?--surely not. But perhaps he wanted to write a novel, a tale? Why should he not try his hand at that for once in a way? That was something quite different from sending short chatty accounts of one's journey to one of the papers. And of course he would be able to do it. People who had not half the education, not half the knowledge, not half the aesthetic refinement of feeling he had wrote quite readable books.
She talked brightly and persuasively to him, but he shook his head with a certain resignation: nonsense, neither novels nor any other kind of writing. And he thought to himself: it is always said that a piece of work is like a child--that is to say, only a truly great piece of work, of course. Was the work he and his wife created work in that sense? Work that would exist eternally? He suddenly found things to censure severely in her picture, which he had politely admired only the day before.
She got quite frightened about it. Why was he so irritable to-day? Was he going to develop nerves at the finish? Yes, it was evident, the warm air of the south did not suit him, he had lost his briskness, looked so tired. There was nothing for it, her husband was more to her than her picture, she would leave off her painting at once.
And that was what happened. They went away, travelled from one place to another, from one hotel to another, along the lakes, over the frontier, until they made a somewhat longer stay high up among the Alps in Switzerland.
Instead of lying under a palm-tree he lay in the shadow of a fir--now his wife was painting--and followed the movements of her brush with his eyes over the top of his open book.
She was busily painting, for she had discovered a delightful subject. That green alpine meadow, with its wealth of flowers as variegated as they could possibly be and the backs of the brown cows with the sun shining on them, was as full of charm as the Garden of Eden on the first day of creation. In her eagerness to see she had pushed her broad-brimmed hat back, and the warm summer sun was burning little golden spots on her delicate cheeks and the narrow bridge of her finely shaped nose. She held the brush that she had dipped into the green on her palette up against the green of the meadow in order to compare the two, and blinked with half-closed eyes to see if she had got the colour right.
At that moment a sound made her start--it was half a growl of displeasure at the disturbance, half a murmur of approval. Her husband had risen and was looking at a couple of children who had approached them noiselessly. They were offering rhododendrons for sale, the girl had a small basket full of them, the boy was carrying his nosegay in his hand.
What exceedingly pretty creatures they were, the girl so blue-eyed and gentle, the boy a regular little scamp. The woman's heart swelled. She bought all the rhododendrons from them, even gave them more than they asked for them.
That was a stroke of great luck for the little Swiss boy and girl--just think, to get more than they had asked for. They blushed with happiness, and when the strange lady asked them questions in a kind voice, they commenced to chatter ingenuously.
She would have to paint those children, they were really too delightful, they were a thousand times more beautiful than the most beautiful landscape.