"So they started. Everything looked very ancient, for the castle dates back to 1475. They went through queer passages where the walls were sometimes fifteen feet thick, under arches, up winding stairs, down again, into cellars and dungeons and ruined chambers. At last they came to the Hall of Knights, a long, dimly lighted room. The walls had fallen here to enclose partly a little space that was still roofed over.

"'This shall be my lodging place,' declared the young man. 'Are you serious?' asked the watchman.

"'I certainly am,' answered Pekka, putting some money in the watchman's hand. The watchman thought for a while. 'I shall have to see the authorities,' he said at last.

"'I'll wait here,' said Pekka, and wait he did.

"When the guardian of the place returned he was all smiles. 'All right,' he said and set to work clearing the space. Then he brought rugs and a big fur coat on which the man could sleep.

"The weather was warm and the bed couldn't have been very uncomfortable, for Pekka stayed there three nights. He declared afterwards that he dreamt wonderful dreams of the time when three races, the Swedes, the Russians and the Finns, struggled for the possession of this spot. One night he awoke shouting: 'The enemy! the enemy!' and then found that the invaders were only some of the many bats, who thought that they had a better right than he to this castle home."

Here the aunt brought forth some interesting photographs which she had taken at Helsingfors. One was an active scene at the open air market when the autumn sailing fleet came to sell winter provisions. It showed the peasant carts and the bright stalls covered with white awnings and blue umbrellas, the market women in gay attire, the butchers in bright pink coats or blouses, and the boats laden with fruit and vegetables, kegs of salted fish, and honey. There was also a picture taken earlier in the year, showing one of the principal harbors with crafts of every shape and size. There were enormous passenger boats, little market boats rowed by bare-armed women, small pleasure yachts, big timber ships with red brown sails, and a group of white Russian war vessels.

She had pictures, too, in which the older members of the family were interested, showing two very distinct styles of architecture to be found in Helsingfors. One was of a group of fine modern buildings on a broad street called the Myntgatan. They were of gray stone, six or seven stories high, dignified and well proportioned, with carefully selected classical decorations. In contrast to this, she produced photographs of other buildings of decided Finnish individuality. These buildings showed great variety, being of rough granite or brick, with tiled roofs, unusual balconies and porticos, fantastic plaster decorations, such as a group of frogs, a procession of swimming swans, a bunch of carrots and turnips, or a savage animal head.

Another group of pictures showed the types of work done by Helsingfors women. In one of these a number of women were cleaning the streets, using immense brooms for the sweeping. In one, they were washing clothes on platforms built out into the sea. In still another, several stood on a scaffold, plastering a house, while three others were at work constructing a door.

Of all the pictures Maja liked best a view of the statue of Runeberg, the national poet, showing how it was decorated with flowers and laurels on the anniversary of his birthday. Juhani was attracted more particularly to a picture of a magnificent horse harnessed to a sleigh, his loins covered with a cloak coming far down to keep out the cold.