He took me in a taxi to Bond Street to the office of Messrs. Kameneff and Krassin. We waited for about twenty minutes in an anti-chamber, and I had a certain melodramatic feeling. Here was I, at all events, in the outer den of these wild beasts who have been represented as ready to spring upon us and devour us! This movement that has caused consternation to the world, and these people so utterly removed from my environment, these myths of what seemed almost a great legend, I was now quite close to. Meanwhile the clerks in the office occupied my attention, they interested me as types, and I wondered about them, about exactly what in their lives had made them into Bolsheviks, and what sort of mentality it was, and whether the scheme which they upheld was a workable concern.

At the same time Mr. M—put me straight on a few points, and all the inaccuracies about Bolshevism that people like myself have gleaned, so that I was fairly prepared and protected against appearing too ignorant and foolish.

At last the word came and we were ushered into the office of Mr. Kameneff who received me amiably and smilingly. We started off almost immediately, in French, and discussed the subject of his being willing to sit to me. I then asked him if a Soviet Government had obliterated Art in Russia. He looked at me for a moment in astonishment, and then said: “Mais non! Artists are the most privileged class.”

I asked if they were able to earn a living wage? He replied that they were paid higher than the Government Ministers. He gave me fully to understand that Russia is most appreciative of Art and Talent, and is anxious to surround itself with culture.

He decided that the bust had better be started soon, as one never knew what might happen from one moment to the next, “what caprice of Monsieur Lloyd George” might elect to send him out of the country at a moment’s notice, so we decided on the following Tuesday at 10 a.m. Mr. Kameneff then took us downstairs to Krassin’s office. Mr. Krassin seemed very busy and pre-occupied, had someone in the room, and

“VICTORY 1918.”

[p. 13.]