“Love!” she said.
He shrugged his shoulders. “Love means different things to different people.... I want you. For me that is love. I want you so much that I have been patient. I’ve courted you patiently, haven’t I?”
She spoke without volition, automatically, almost as if the words had been caused to issue from her lips by some ventriloquist. “Under what name do you want to marry me? Cantor or Adolf von Arnheim?”
He stiffened into immobility; not even his eyes seemed alive. His face, naturally without color, lost even the tint which it possessed. In an instant he was transformed. He was not the careless, mocking-courteous lover; he was another man, a man of stern military bearing, a man of purpose, a man ruthless in carrying out that purpose. Hildegarde knew she was seeing the true Cantor at last, and she liked him better. She saw him infinitely capable, a man to dare and to accomplish, a man to be trusted by high authority with a mission of life or death. She almost admired him in that moment.
He remained motionless, and she knew he was not thinking of her. He was thinking of his work and what this meant to his work. He had dropped the moment and was weighing keenly, ably, the circumstance, and planning what he must do as a result of it. Somehow she felt he experienced no fear, no emotion of any sort. He merely thought. His reaction was purely intellectual.
“Where did you hear that name?” he asked, presently.
He did not ask it of the woman he loved, but of a woman, any woman, a woman in his power, bound, capable of being made to speak by means not shrunk from by the German mind. She was not an individual to him, not Hildegarde von Essen, but merely a woman who must be dealt with.
“I dreamed it,” she said.
“Where did you hear that name?” he repeated, and moved toward her. She retreated behind a great table, placing it between herself and Cantor. Her father stood uncomprehending, working himself into a passion, his florid face growing red and redder, his breath becoming more labored, the veins upon his forehead standing out with unsavory distinctness.
“I sha’n’t tell you,” she said.