Here are wines from the slopes of Aetna, sparkling and sweet. Here are wines from grapes grown on the warm slopes of Vesuvius, and brought to early perfection by the underground fires. Here are wines from the colder slopes of mountains; wines from Parma and from Sicily and Palermo where the warm Italian sunshine has been the arch-chemist to bring perfection to the fruit of the vine. Here are still wines and those that sparkle. Here the famed Lacrima Christi, both spumanti and fresco, said to be the finest wine made in all Italy, and the spumanti have the unusual quality for an Italian wine of being dry. But to tell you of all the interesting articles to be found in these Italian, and French and Mexican stores, would be impossible, for some of them have not been translated into English, and even the storekeepers would be at a loss for words to explain them.

This is all a part of the Bohemianism of San Francisco, and that is why we are telling you about it in a book that is supposed to be devoted to the Bohemian restaurants. The fact is that San Francisco's Bohemian restaurants would be far less interesting were it not for the fact that they can secure the delicacies imported by these foreign storekeepers to supply the wants of their people.

But do not think you have exhausted the wonders of Little Italy when you have left the stores, for there is still more to see. If you were ever in Palermo and went into the little side streets, you saw the strings of macaroni, spaghetti and other pastes drying in the sun while children and dogs played through and around it, giving you such a distaste for it that you have not eaten any Italian paste since.

But in San Francisco they do things differently. There are a number of paste factories, all good and all clean. Take that of P. Fiorini, for instance, at a point a short distance above Costa Brothers. You cannot miss it for it has a picture of Fiorini himself as a sign, and on it he tells you that if you eat his paste you will get to be as fat as he is. Go inside and you will find that Fiorini can talk just enough English to make himself understood, while his good wife, his sole assistant, can neither speak nor understand any but her native Italian. But that does not bother her in the least, for she can make signs, and you can understand them even better than you understand the English of her husband.

Here you will see the making of raviolis by the hundred at a time. Tagliarini, tortilini, macaroni, spaghetti, capellini, percatelli, tagliatelli, and all the seventy and two other varieties. The number of kinds of paste is most astonishing, and one wonders why there are so many kinds and what is done with them. Fiorini will tell you that each kind has its distinctive use. Some are for soups, some for sauces, and all for special edibility. There are hundreds of recipes for cooking the various pastes and each one is said to be a little better than the others, if you can imagine such a thing.

Turn another corner after leaving Fiorini's and look down into a basement. You do not have to go to the country to see wine making. Here is one of the primitive wine presses of Italy, and if you want to know why some irreverent people call the red wine of the Italians "Chateau la Feet," you have but to watch the process of its making in these Telegraph Hill wine houses. The grapes are poured into a big tub and a burly man takes off his shoes and socks and emulates the oxen of Biblical times when it treaded out the grain. Of course he washes his feet before he gets into the wine tub. But, at that, it is not a pleasant thing to contemplate. Now you look around with wider and more comprehensive eyes, and now you begin to understand something about these strange foreign quarters in San Francisco. As you look around you note another thing. Italian fecundity is apparent everywhere, and the farther up the steep slope of the Hill you go the more children you see. They are everywhere, and of all sizes and ages, in such reckless profusion that you no longer wonder if the world is to be depopulated through the coming of the fad of Eugenics. The Italian mother has but two thoughts—her God and her children, and it is to care for her children that she has brought from her native land the knowledge of cookery, and of those things that help to put life and strength in their bodies.

An Italian girl said to us one day:

"Mama knows nothing but cooking and going to church. She cooks from daylight until dark, and stops cooking only when she is at church."

It was evident that her domestic and religious duties dominated her life, and she knew but two things—to please her God and to care for her family, and without question if occasion demanded the pleasure of her family took precedence.

San Francisco's Latin quarter is appealing, enticing and hypnotizing. Go there and you will learn why San Francisco is a bohemian city. You will find out that so many things you have thought important are really not at all worth while. Go there and you will find the root of Bohemian restaurants. These people have studied gastronomy as a science, and they have imparted their knowledge to San Francisco, with the result that the Bohemian spirit enters into our very lives, and our minds are broadened, and our views of life and our ideas have a wider scope. It is because of this condition, born on the slopes of Telegraph Hill, that we are drawn out of depressing influences, out of the spirit of self-consciousness, and find a world of pleasure, innocent and educational, the inspiration for which has been handed down through generations of Latina since the days of early Roman empire, which inspiration is still a power for good because it takes people out of themselves and places them where they can look with understanding and speak the language of perception. Little Italy's charm has long been recognized by artists and writers, and many of them began their careers which led to fame and fortune in little cheap rooms on Telegraph Hill. Here have lived many whose names are now known to fame, and to name them would be almost like a directory of world renowned artists and writers. Here is still the memory of Bret Harte and Mark Twain. Here is where Keith had his early studio. Cadenasso, Martinez, and many others know these slopes and love them.