One day by steamer from Penang brought us to Rangoon, the capital and most important city in Burma, and (next to Bombay and Calcutta) the most important in British India. We had heard much of the place, situated thirty miles up the river "on the road to Mandalay," but found that even then the half had not been told. If there were nothing else to see but the people on the streets, a visit to Rangoon would be memorable, for nowhere else on earth perhaps is there such butterfly-like gorgeousness and gaudiness of raiment. At a little distance you might mistake a crowd for an enormous flower-bed. All around you are men and women wearing robes that rival in brilliancy Joseph's coat of many colors.
The varieties in form of clothing are as great as the varieties {191} in hue. The Burmese babies toddle about in beauty unadorned, and for the grown-ups there is every conceivable sort of apparel--or the lack of it. Most of the laborers on the streets wear only a loin-cloth and a turban (with the addition of a caste-mark on the forehead in case they are Hindus), but others have loose-fitting red, green, yellow, blue, striped, ring-streaked or rainbow-hued wraps, robes, shirts or trousers: and the women, of course, affect an equal variety of colors.
"The whackin' white cheroot" that the girl smoked in Kipling's "Road to Mandalay" is also much in evidence here; or perhaps instead of the white cheroot it is an enormous black cigar. In either case it is as large as a medium-sized corncob, that the newly landed tourist is moved to stare thereat in open-eyed amazement. How do Kipling's verses go?
"'Er petticoat was yaller, an' 'er little cap was green.
An' 'er name was Supi-yaw-lat--jes' the same as Theebaw's Queen,
An' I seed her first a-smokin' of a whackin' white cheroot.
An' a-wastin' Christian kisses on a 'eathen idol's foot."
They are all there in Rangoon yet--the gorgeous coloring of the lady's raiment, her cheroots, and the heathen idols--
"Bloomin' idol made o' mud.
Wot they called the Great Gawd Bud."
How many images of Buddha there are in the city it would be impossible to estimate--I saw them not only in the pagodas, but newly carved in the shops which supply the Buddhist temples in the interior--and the gilded dome of the Shwe Dagon Pagoda, "the most celebrated shrine of the entire Buddhist world," glitters like a beacon for miles before you reach the city. Nearly two thirds the height of the Washington Monument, it is gilded from top to bottom--with actual gold leaf, Rangoon citizens claim--and around it are innumerable smaller pagodas and shrines glittering with mosaics of colored glass in imitation of all the gems known to mortals. {192} Studied closely, they appear unduly gaudy, of course, but your first impression is that you have found a real Aladdin's palace, a dazzling, glittering dream of Oriental splendor and magnificence. To these shrines there come to-day, as there have been coming for more than twenty centuries, pilgrims from all lands where Buddha's memory is worshipped, pilgrims not only from Burma, but from Siam, Ceylon, China, and Korea. I shall not soon forget the feeble looks of the old white-haired pilgrim whom two women were helping up the steep ascent as I left the Pagoda after my second visit there. I am glad for his sake, and for the sake of all the millions to whom Buddha's doctrine is "the Light of Asia," that it is a religion at least without the degrading, blighting tendencies of Hinduism, and that the smiling faces of the images about the Shwe Dagon present at least some faint idea of a God who tempers justice with mercy and made human life good rather than a God of cruelty who made life a curse and a mockery. Every traveller who sees Buddhist Burma after having seen Hindu India comments on the greater cheerfulness and hopefulness of the Burman people, and especially the happier lives of the women--all a result, in the main, of the difference in religion.
And yet Burman Buddhism, in all conscience, is pitiable enough--its temples infested by fortune-tellers, witches, and fakirs, its faith mingled with gross superstitions and charms to propitiate the "nats" or spirits which are supposed to inhabit streams, forests, villages, houses, etc., and to have infinite power over the lives and fortunes of the people. A common sight on the morning streets is a group of yellow-robed priests with their begging bowls, into which pious Buddhists put food and other offerings; without these voluntary offerings the priest must go hungry. A curious custom in Burma, as in Siam, requires every youth to don the priestly robe for a few days and get his living in this way.
The ordinary beast of burden in Rangoon is the Indian {193} bullock. Often pure white, usually with a well-kept appearance and with a clean, glossy coat of short hair, he looks as if he should be on the way to a Roman sacrifice with garlands about his head. Teams of black Hindus, three quarters naked, are also seen pulling heavy carts and drays; and it may be that the small boys utilize the long-eared goats (they have heavy, drooping ears like a foxhound's) to pull their small carts, but this I do not know. The work-beast of the city that interested me most was the elephant, and henceforth the elephants of Rangoon shall have a place alongside the camels of Peking in my memory and affection. Of course, the elephants of Rangoon are not so numerous as are the camels in China's capital, but those that one sees display an intelligence and certain human-like qualities that make them fascinating.
One morning I got up early and went to McGregor & Co.'s lumber yard at Ahloon on the Irrawaddy to see the trained elephants there handle the heavy saw-logs which it is necessary to move from place to place. It was better than a circus.