Effect to Cause. In actual events, the cause always precedes the effect, but in discussion it is sometimes better not to follow natural or usual orders. Many explanations gain in clearness and effect by working backwards. A voter might begin by showing the condition of a set of workmen (an effect), then trace conditions backward until he would end with a plea for the repeal of a law (the cause). A student might explain a low mark on his report by starting with the grading (the effect) and tracing backwards all his struggles to an early absence by which he missed a necessary explanation by the teacher. A doctor might begin a report by stating the illness of several persons with typhus; then trace preceding conditions step by step until he reached the cause—oysters eaten by them in a hotel were kept cool by a dealer's letting water run over them. This water in its course had picked up the disease germs—the cause. Many crimes are solved by moving from effect to cause. A lawyer in his speeches, therefore, frequently follows this method.
Both these methods are so commonly employed that the student can cite instances from many speeches he has heard or books he has read.
Time Order. Somewhat similar to the two preceding arrangements of exposition are the next two based on time. The first of these is the natural time order, or chronological order. In this the details follow one another as events happened. It is to be noted, however, that not any group of succeeding details will make a good exposition of this sort. The parts must be closely related. They must be not merely sequential but consequential. Dictionary definitions will explain the difference in meaning of those two words. This method is somewhat like the order from cause to effect, but it is adapted to other kinds of topics and other purposes of explanation. It is excellently suited to historical material, or any related kind. It is the device usually employed in explaining mechanical or manufacturing processes. In mere frequency of occurrence it is doubtlessly the most common.
Time Order Reversed. The student who starts to cast his expositions into this scheme should judge its fitness for his particular purpose at the time. It will often become apparent upon thought that instead of the natural chronological order the exact opposite will suit better. This—time order reversed—explains itself as the arrangement from the latest occurrence back through preceding events and details until the earliest time is reached. It is quite like the arrangement from effect back to cause. It might be used to explain the legal procedure of a state or nation, to explain treaty relations, to explain the giving up of old laws. The movements of a man accused of crime might be explained in this way. An alibi for a person might be built up thus. The various versions of some popular story told over and over again through a long period of years might be explained after such a manner.
Although the time order reversed is not so common as the chronological order it does occur many times.
Place. Certain material of exposition demands the order of place. This means that the details of the explanation are arranged according to the position of objects. If you have written many descriptions you are familiar with the problems brought up by such an order. A few illustrations will make it clear. A man on the street asks you how to reach a certain point in the city. On what plan do you arrange your directions? According to their place? You start to explain to a friend the general lay-out of New York, or Chicago, or San Francisco. How do you arrange the details of your exposition? You attempt to convey to another person the plan of some large building. What arrangement is inevitable? How do books on sports explain the baseball field, the football gridiron, the tennis court, the golf links? When specifications for a building are furnished to the contractor, what principle of arrangement is followed? If an inventor gives instructions to a pattern-maker for the construction of a model, what plan does he follow? Would a man discussing drawings for a new house be likely to formulate his explanations on this scheme?
You see, then, how well suited such an arrangement is to a variety of uses. In such expository passages the transition and connecting words are mainly expressions of place and relative position such as to the right, above, below, to the rear, extending upwards at an angle of sixty degrees, dividing equally into three sections. Such indications must never be slighted in spoken explanations. They keep the material clear and exact in the hearer's comprehension. The speaker, remember, can never assume that his audience is bound to understand him. His task is to be so clear that no single individual can fail to understand him.
Importance. It has already been stated—in the chapter on planning—that topics may be arranged in the order of their importance. This same scheme may be used in delivery of expository matter. A hearer will follow the explanation if he be led gradually up the ascent; he will remember most clearly the latter part of the passage. If this include the prime factor of the information he will retain it longest and most clearly. You should listen to speeches of explanations critically to judge whether the plans are good. Should you make a list of the number of times any of the plans here set down appears you will be struck by the fact that while other orders are quite frequent, this last principle of leading up to the most important outranks all the others. It may be simply a form of one of the others previously enumerated in which time order, or contrast, or cause to effect is followed simply because that does bring the most important last in the discussion. Such an arrangement answers best to the response made to ideas by people in audiences. It is a principle of all attempts to instruct them, to appeal to them, to stimulate them, to move them, that the successive steps must increase in significance and impressiveness until the most moving details be laid before them. Analyze for yourself or for the class a few long explanations you have listened to, and report whether this principle was followed. Does it bear any relation to concluding a speech with a peroration?
Combinations of Methods. While any one of the foregoing methods may be used for a single passage it is not usual in actual practice to find one scheme used throughout all the explanatory matter of the speech. In the first place, the attention of the audience would very likely become wearied by the monotony of such a device. Certain parts of the material under explanation seem to require one treatment, other portions require different handling. Therefore good speakers usually combine two or more of these plans.