Many structural refinements were, of course, necessary before these crude vaults gave rise to the fully developed type, but these refinements followed in general the same order as those in the larger nave vaults. First came the introduction of the pointed arch and its use for the transverse and longitudinal ribs in place of the semicircular type. This change may be seen in such early vaults as those of Noyon cathedral (cir. 1150) where pointed arches are used throughout. The noticeable feature here is the great size of the transverse ribs compared to that of the diagonals. This same feature continues to appear in a gradually lessening degree in many of the churches of the transitional period, and even in the developed Gothic of the thirteenth century, as, for example, in Bourges and Amiens cathedrals. This may, perhaps, be explained by the function of this transverse arch which was not merely a centering for the vault panel, but carried a considerable amount of the weight of the exterior buttress piers and wall pilasters which were connected above the aisle roofs by the arch of the flying buttress. These heavy transverse ribs also aided materially in bracing the nave piers and tying them to the outer walls. Sometimes, as in the beautiful aisles of Rouen cathedral, all the ribs are of the same section, but whether they were all the same or not, such vaults as those at Rouen and Amiens set the standard for developed Gothic side aisles.
Five-Part Aisle Vaults
Fig. 46.—Beauvais, Cathedral, five-part vault.
Other methods, however, were employed. Perhaps the chief among these is the five-part vault, in which the triangular severy nearest the outer wall in a four-part vault is subdivided by a half rib running to the main vault crown [(Fig. 46)]. The advantage of such a system lies in the fact that it permits a more pleasing arrangement of windows in the outer wall, especially in bays of rectangular plan, like those in the Certosa at Pavia and Magdeburg cathedral already discussed, where the windows would otherwise fit but awkwardly beneath the broad low wall rib. The same system was also used in aisles with practically square bays, as, for example, in the cathedral of Coutances [(Fig. 82)], in Saint Urbain at Troyes and in many English churches.[276] Here, too, the explanation is to be found in the window arrangement, especially in the English and Norman Gothic examples, where these windows are of the slender lancet type, which could not be satisfactorily placed beneath the comparatively low wall rib of a square four-part vault.