I corrected the English of the letter and returned it to Bull-frog in Nice. Shortly after he and Isadora Duncan arrived in Marseilles. Bull-frog was impeccably dressed in a style befitting an international businessman. He had a brand-new car and loads of money. I had not seen Isadora Duncan since that night when she danced so tragically and beautifully and for me alone in her studio at Nice. I was not surprised that Isadora Duncan was with Bull-frog. For Isadora Duncan was like a great flowing river through which the traffic of the world could pass. I remember, at a café in Nice, overhearing a chauffeur among his equivocal companions: "Oh, I saw the great dancer, Madame Duncan, on the promenade and I spoke to her and said I knew she was the great dancer. And she invited me to come to the studio and bring my friends to see her dance."
I asked Isadora what she thought of Bull-frog. She smiled and said he was at least amusing, and that if the rich folks would not give her money to build a temple of the dance for beautiful children, they could do worse than give it to Bull-frog. Isadora was interested in the décor of my Marseilles book, so we visited the Vieux Port. And as we three went wandering through the garbage-strewn alleys, the old girls in their shifts and tights in their holes in the walls were so startled by the picture of Isadora Duncan and her long Grecian scarf floating over the muck and misery of Marseilles, that they forgot their business of snatching hats. Shortly after that, Isadora Duncan was strangled by her ancient Grecian scarf in a modern automobile.
THE IDYLLS OF AFRICA