Lord Byron as a satirist in verse

by Claude Moore Fuess

[215] Gli Animali Parlanti, IV., 73.

[216] Don Juan, XV., 19. See also Gli Animali Parlanti, III., 95; VII., 38; Don Juan, VI., 8; VIII., 89; The Vision of Judgment, 34.

[217] Gli Animali Parlanti, IV., 107.

[218] Don Juan, I., 231. See also Gli Animali Parlanti, XX., 126, and Don Juan, IV., 117; V., 159; VI., 120; VII., 35; IX., 85; XV., 98.

[219] In Childe Harold the digression had been used, not for satire, but for personal reminiscences, eulogy, and philosophical meditation; see Canto I., 91–92, with its tribute to Wingfield, and Canto I., 93, with its promise of another canto to come.

[220] Il Poema Tartaro, II., 8.

[221] Don Juan, IX., 62.

[222] Il Poema Tartaro, IV., 76.

[223] Don Juan, IX., 81. See also Don Juan, IX., 80.

[224] Il Poema Tartaro, I., 5.