The scene was nearly over. With the glad cry—"Ah! now you look like Hubert," the enchantment of terror broke. A few more sentences and Arthur was left alone on the stage.
As the door clanged (Alwynne was juggling with hardware in the wings) the child's strained attitude relaxed and the audience unconsciously relaxed with it. He swayed a moment, then collapsed brokenly into a chair. The long pause was an exquisite relief.
But before long the small face puckered into frowns; a back-wash of subsiding fear swept across it. The hands twitched and drummed. You felt that a plan was maturing.
At last, after furtive glances at the door, he rose with an air of decision, and crossed quickly to the alcove of the window. For an instant the curtains hid him, and the audience stared expectantly at an empty stage. When he turned to them again, holding the great draperies apart with little, resolute fists, his face was alight with hope, and, for the first time, wholly youthful. In the soft voice ringing out the last courageous sentences, detailing the plan of the escape, there was a little quiver of excitement, of childish delight in an adventure. He ended; stood a moment smiling; then the heavy folds hid him again as they swept into position.
There was a tense pause.
Suddenly as from a great distance, came a faint wailing cry. Thereon, silence.
The curtains wheezed and rattled into place.
Alwynne, hurrying on to the stage to shift scenery for the following act, nearly tripped, as she dismantled the alcove, over a huddle of clothes crouched between backing and wall. She stooped and shook it. A small arm flung up in instant guard.
"Louise? Get up! The act's over. Run out of the way. Stop—help me with this, as you're here."
Obediently the child scrambled to her feet. She gripped an armful of curtain, and trailed across the stage in Alwynne's wake. Till the curtains rose on the final act, she trotted after her meekly, helping where she could.