"A boys' school is just the same."

"Is it? I've only seen Compton. I don't know how co-education affects the boys, but I'm sure it's good for the girls, and the mistresses too. Of course, they're not really different to my lot, but they seemed so. They had room to move. They weren't always rubbing up against each other like apples in a basket. It all seemed so natural and jolly. Fresh air everywhere. And since I've been back, I've felt I couldn't breathe. I believe it's altered me, just seeing it all; and I can't make Clare understand. She thinks I liked Dene because I wanted to flirt."

"That type would."

"Yes, I know you think that," she answered uneasily, "but she isn't—that horrid type. That's why it hurts so that she can't understand. As if I ever thought of such a thing until she talked of it! Only I like talking to men, you know, Roger; because they've often got quite interesting minds, and it's easier to find out what they really think than with women. But they bore Clare."

"Do they?" Roger had his own opinion on the question. But he found that it was difficult to refrain from kissing Alwynne when she looked at him with innocent eyes and made preposterous statements; so he stared at the tulips.

"You see, she thinks—we both think, that if you've got a—a really real woman friend, it's just as good as falling in love and getting married and all that—and far less commonplace. Besides the trouble—smoking, you know—and children. Clare hates children."

"Do you?" Roger looked at her gravely.

"Me? I love them. That's the worst of it. When I grew old, I'd meant to adopt some—only Clare wouldn't let me, I'm sure. Of course, as long as Clare wanted me, I shouldn't mind. To live with Clare all my life—oh, you know how I'd love it. I just—I love her dearly, Roger, you know I do—in spite of things I've told you. Only—oh, Roger, suppose she got tired of me. And, since I've been back, sometimes I believe she is."

"Poor old girl!"

"It's a shame to grizzle to you; it can't be interesting; and, of course, I don't mean for one moment to attack Clare; only everything I do seems wrong. When she sneers, I get nervous; and the more nervous I get, the more I do things wrong—you know, silly things, like spilling tea and knocking into furniture. And she gets furious and then we have a scene. It's simply miserable. We had one yesterday, and again this morning. It's my fault, of course—I get on her nerves."