[46.]—Care must be taken to turn the stems of half notes and shorter notes according to the principles of short score, and not necessarily as they are in the open score.
Short Score to Open Score.
[47.]—Co-relatively, in transcribing from short score to open, it will occasionally be necessary to put accidentals in the latter which are not in the former. The commonest form of this is probably in extracting a single part, soprano, alto, tenor, or bass, from an ordinary short score hymn or chant book, and writing it in a part-book for the particular voice. Thus, in transcribing the tenor of the following extract from the hymn-tune “Heathlands” into a part-book, it would be necessary to insert a natural before the A.
Fig. 37.
[48.]—Far more often, however, it is necessary to omit naturals used to contradict an accidental occurring in a part which is not being copied. Thus, in the following extract from the tune “Endless Alleluia,” the natural in both the tenor and bass would be unnecessary were these parts written out separately from the other parts and each other.
Fig. 38.