INDEX
The numbers refer to the Paragraph, not the Page.
| PARAGRAPH | |
|---|---|
| Accidentals | [44]–48, [51] |
| Barring | [4] |
| Beat-lines | [14] |
| Bind | [14] |
| Black-notes | [42] |
| Change of Key | [4] |
| Change of Time | [7] |
| Chords | [54] |
| Clefs | [5] |
| Common Faults | [5], [6], [12], [13], [22], [34], [36], [52] |
| Compound Time | [13] |
| Copyright | [55] |
| Crossing Parts | [24] |
| Direct | [5] |
| Dots | [20], [9], [14], [40] |
| Erasures | [53] |
| Extracting a Single Part | [50] |
| Facility | [54] |
| German Quarter Note Rests | [17] |
| Grace-notes | [23] |
| Groups | [13], [23], [30], [32], [35], [38] |
| Half Note Head with Eighth Note Hook | [42] |
| Historical Notes | [7], [14], [21], [27], [31] |
| Hooks | [29], [42] |
| Introductory | [1] |
| Key Signature | [4], [6] |
| Leger-lines | [36] |
| Legibility | [52] |
| Mapping-out | [4] |
| Mercer's Psalter | [4] |
| Morley's Practical Music | [14] |
| Notation of Rhythm | [8], [32] |
| Open Score | [16], [20], [23] |
| Open Score to Short Score | [41] |
| Organ Music | [23] |
| Over-lapping Iteration (Piano) | [11] |
| Paper | [2] |
| Part Writing | [19], [44] |
| Pause | [50] |
| Placing of Notes | [14] |
| Playford's “Whole Booke of Psalms” | [27], [31] |
| Rests | [15]–19, [12], [50] |
| Rhythm, Notation of | [8], [32] |
| Scoring | [3] |
| Short Score | [18], [24] |
| Short Score to Open | [42] |
| Sign of Perfection | [7] |
| Signatures | [6], [4], [7] |
| Simple Time | [12] |
| Slur | [37], [39] |
| Sonata Pastorale | [9] |
| Stems | [22] |
| Of Rests | [25], [16], [18] |
| Stroke and Dot | [9] |
| Three Parts on One Stave | [24] |
| Ties | [10], [11], [14], [37] |
| Time Signature | [7] |
| Turn Over | [4], [5] |
| Unnecessary Accidentals | [51] |
| Vocal music | [37], [23] |
| (Exception 4) | [35], [40] |
| Words (See also “Vocal Music”) | [4] |
☞ When a higher number precedes a lower in the above index, it is because it refers to a more important Paragraph.
The following is a list of corrections made to the original. The first passage is the original passage, the second the corrected one.